The area is touristic developed with many shops, restaurants on the shore, bars and several excellent hotels famous for their comforts and the variety of amenities offered. The lagoon of Elounda is shaped between the coast and a small peninsula of 7-8 km length ... Spinalonga, since antiquity, has protected the harbor of ancient Olous.
Falássarna (GR: Φαλάσαρνα)is a quiet resort, with small hotels, apartments and taverns, close to the wonderful sandy beach. There are also many spots for free camping. Falassarna used to be the port of ancient Polyrinia. The peak of the city of Falassarna was during the Hellenistic period and at the time the city had its own coin. Its port was closed and surrounded by walls and it was connected to the sea with a canal.
Sivritos (GR: Σίβρυτος) was an important and autonomous city of the ancient Crete. The city was built in the location that today is the village of Thronos. It was located on a hill dominating the valley of Amari. The name Sivritos is derived from the words si, that in the ancient eastern languages meant water, and the word vriti, that is of prehistoric origin and meant sweet. Therefore, Sivritos in the Minoan period meant sweet water. The derivation is also verified by the fact that near the hill where the city was located there are numerous sweet water springs.
Gallia is one of the oldest villages of the area. It is mentioned as a location in the Venetian records as early as 1577, and as a village with 120 residents since 1583. The renaissance tower in the village (still imposing although rundown) and the water fountains in the Kapeloniana area are proof of the passing of the Venetians. Part of the village, called Monohoro, is mentioned as early as 800 A.D.
A small picturesque village by the sea characterized as a landscape of exquisite, natural beauty. With joyful and peaceful inhabitants who constantly tease each other. It is located in Crete, north of Lasithi prefecture, between Agios Nikolaos and Sitia, at equal distance (30-35km) from the three major cities(Agios Nikolaos, Sitia, Ierapetra). Ideal place for holiday or special weekends. You will enjoy the most colourful sunset and the most beautiful daybreak from any other place. The serenity of the morning open view, with the sun rising from the sea, will be unforgettable. The small island, opposite the village, with the small church of Agios Nikolaos, offers a unique beauty to the landscape.
Michael Damaskenos or Michail Damaskenos (Greek: Μιχαήλ Δαμασκηνός, 1530/35-1592/93) was a leading post-Byzantine Cretan painter. He is a major representative of the Cretan School of painting that flourished in the 16th and 17th centuries, whilst Crete was under Venetian rule. He was a near-contemporary of the most famous Cretan painter of any period, El Greco, but though Damaskinos also went to Italy, he remained much closer to his Greek roots stylistically. There is little information regarding the life of Damaskinos. He was born in Candia (today's Herakleion), the son of Tzortzis Damaskinos. He had a daughter named Antonia who married the painter Yannas Mantoufos. Damaskinos lived in Venice for several years, where he learnt miniature painting and travelled extensively throughout Italy. He was a member of the Greek Brotherhood of Venice from 1577–1582, having been in Venice since 1574. He painted along with Emmanuel Tzanes the Greek Orthodox Cathedral of San Giorgio dei Greci in Venice. In 1584 he was back in Greece and worked mainly in Crete and the Ionian islands. His works are in traditional Byzantine style but with many influences from Venetian painting, mainly Renaissance artists such as Tintoretto and Paolo Veronese. He used a particular rose colour that characterised his paintings, his figures dimensions are defined by only few brushes while he was drawing wooden and never marble thrones as was typical in the Cretan School. That Damaskinos was highly regarded is shown by him being invited from Crete, despite all the many Greek artists already in Venice to paint the frescoes of San Giorgio dei Greci.. Damaskinos was also the first artist to introduce paler flesh tones into post-Byzantine painting and it was one of the stylistic features of his work which proved highly influential from the second half of the sixteenth century and onwards . As was usual for distinguished painters, Damaskinos signed his works: ΧΕΙΡ ΜΙΧΑΗΛ ΤΟΥ ΔΑΜΑΣΚΗΝΟΥ or ΧΕΙΡ ΜΙΧΑΗΛ ΔΑΜΑΣΚΗΝΟΥ, ΔΑΜΑΣΚΗΝΟΥ ΜΙΧΑΗΛ ΧΕΙΡ or even ΠΟΙΗΜΑ ΜΙΧΑΗΛ ΤΟΥ ΔΑΜΑΣΚΗΝΟΥ (creation of Michael Damaskinos) . Damaskinos having worked extensively in the Ionian islands has contributed to the fusion of the Cretan and the Heptanese School of painting. source: http://en.wikipedia.org/wiki/Michael_Damaskinos
The artistic events, which take place every year in the first week of July at the same place called Fourni and in the Cretan village of Anogia. The poet, songwriter and singer from Anogia, who they call "Loudovikos from Anogia" wants to make the history of the young martyr, who supersedes his fear in love known to the public. And because 1.900 years have passed since the martyrdom of Yakinthos, he decided to honor the Saint of Love and sing together with him of the poetry of love.(www.yakinthia.com)
The first habitation of the site dates from the Neolithic and Early Minoan period (3rd millenium B.C.). In the late Classical period (beginning of the 4th century B.C.) the Gortynians established the sanctuary of Asklepios at the harbour. During the tremendous earthquake of 46 B.C. the city was destroyed and subsequently rebuilt. In the Early Christian and Byzantine periods, a small settlement developed and the basilica was erected. The most important monuments of the site are: The Temple of Asklepios., the "Treasury"., the Fountain, a large, three-aisled basilica, an Early Minoan settlement (2600-2000 B.C.), the West Stoa, the North Stoa, the Nymphaion and two large, mud-brick cisterns.
The Basilica of Saint Mark is one of the most important Venetian buildings-monuments in Heraklion. Today it houses the city’s Municipal Art Gallery. The Venetians, wishing to consolidate their dominance over their new colony (Heraklion) and to express their gratitude and love for their mother country, built a church in the city’s centre dedicated to Saint Mark, patron saint of Venice. The Basilica managed to survive various earthquakes which afflicted Heraklion over the centuries with only minor repairs. During the Turkish rule it was converted into a mosque, the Defterdar Mosque, named after Defterdar Ahmet Pasha, the head of the financial department. The Ottomans demolished the bell-tower of the basilica and raised a minaret in its place, which in its turn was taken down by the residents of Heraklion after the liberation of the island in their attempt to erase the unpleasant reminders and symbols of the Turkish occupation.
Loggia has been built during the 16th century and was designed by the famous architect Michel Snamicheli. Loggia was an eminent building of the city centre and has been a meeting point for the nobles to discuss political and economical issues. The building is very well preserved; it is square and has arches on its three sides (besides its west side). The consoles of its eaves are spectacular. During the Turkish occupation the loggia became a mosque and a minaret was constructed, which was later demolished in 1930. The past 40 decades the building of Loggia hosted the archaeological museum of the city, which has now moved to a building next to Fortezza. Today loggia hosts a market of archaeological art copies.