The Roman Odeum at Gortyn is considered one of the best and the most important of its type on Crete. Is has been founded at the North part of the Ancient Agora of the City. This semicircular building consists of three main parts:
a. The Cavea, connected with a domed corridor through three wide staircases;
b. the Orchestra, which has an internal diameter 8,5 m. and was paved with white and blue marble slabs;
c. The Scene, which had two entrances and the paraskenion, with mosaic pavement in geometric pattern. Statues of Muses stood in the niches. Initially the building was a circular Ekklesiasterion founded in the 5th c. BC. In the portico of this public building the Great Inscription with the Law Code of Gortyn dated to the early 5th c., stood. It was destroyed twice: in the 1st century BC, and again in 46 AD. After this last destruction it was reconstructed as an Odeum.
The great Inscription is considered to be the largest Greek inscription, the Queen of all Inscriptions. Its first fragments were found by the French travelers and were bought by the Louvre Museum. The most part of the Inscription was found accidentally by local farmers in 1884 and was further explored F. Halbherr.
It is a Law Code inscribed in the boustrophedon system of writing. It dates in the 1st half of the 5th c. BC and is the oldest Greek and European Law Code. It consists of twelve Deltoi and was built in the Ekklesiasterion of the 5th c BC. In this Code older laws, regarding the personal and family rights of the citizens of Gortyn, were codified.

Saint Titus church at Gortyn bears the name of the Apostle Titus, attendant of Apostle Paul, who was appointed as the first Christian bishop of Crete. It is one of the most important Byzantine monuments in Crete. The name was given to the ruined church by the excavators in the beginning of the 20th c., as they considered it to be the site of the saint’s martyrdom. After the discovery of the new Great Early Byzantine Basilica, just outside the village Mitropolis, its excavators have proposed that as the original bishopric basilica, as it is a century earlier than this, which in the local tradition is named and celebrated after Virgin Mary, “Kera”.
The church has the plan of a three aisled inscribed cross with a low vault. It has been built of ashlar limestone. It has a narthex to the west and five entrances three of which form the trivelum with two columns. There were pillars instead of columns. Its architectural features date its foundation in the 2nd half of the 6th c. AD.

Located in the valley of Messara, Gortys or Gortyn (GR: Γόρτυς or Γόρτυνα) is a must visit for all visitors to Crete. It was inhabited during Bronze Age times, but its rise to glory came almost a millennium after the downfall of the 'Minoans'. Gortyn was a prosperous city from around the middle of the 5th century BC through to the early 9th century AD, when it was finally destroyed by the Saracens (824AD), never to be rebuilt.

The Monastery of Arkádi (GR:Αρκάδι) built during the last Venetian period, it consists of a large set of fortress-like buildings. The main building included the cells, the warehouses where the agricultural products were treated and stored, the stables. In a word, it was a well-equipped little fortress where people could find refuge in times of trouble. There is an impressive church, with two naves dedicated to Saint Constantine and Saint Helen, and to Our Lord. Due to the holocaust it suffered in 1866, Arkadi has become the island's most famous monastery.

The archaeological site, the palace, the findings - The Festos Disc. According to mythology, Phaistos (or Festos) was the seat of king Radamanthis, brother of king Minos. It was also the city that gave birth to the great wise man and soothsayer Epimenidis, one of the seven wise men of the ancient world.Excavations by archaeologists have unearthed ruins of the Neolithic times (3.000 B.C.).

The disc of Phaistos is the most important example of hieroglyphic inscription from Crete and was discovered around 1903-05 in a small room near the depositories of the "archive chamber", in the north - east apartments of the palace, together with a Linear A tablet and pottery dated to the beginning of the Neo-palatial period (1700- 1600 B.C.).
The disc of Phaistos can be seen at the Archaeological Museum of Heraklion.

The sanctuary of the Egyptian deities (1st-2nd centuries A.D.) is the only one, in the whole island, which is dedicated to the Egyptian gods Isis, Serapis and Anubis - Hermes although it is known that those gods are worshiped in other cities.
The sanctuary consists of quadrilateral nave, arcade on the west, underground crypt in the south and a cistern outside east of nave. In the central alcove stood the statue of Serapis and the side statues of Isis and Hermes - Anubis. In the southern part of the temple was oblong space, underground crypt purification and a small cictern. The final construction phase of the temple dates to the 1st / 2nd century. AD, in accordance with dedicatory inscription.

The Temple of Apollo Pythios (Pythian Apollo) located in the center of the ancient Agora, was excavated in 1887 and was the largest temple and the religious center of ancient Gortyn until the introduction of Christianity and the founding of the basilica of St. Titus around 500 AD.
The first building of the seventh century. BC was a four-sided enclosure with four wooden pillars in the center to support the roof. The exterior walls and stairs of the crepis were covered with archaic inscriptions. In the Hellenistic period a monumental anteroom was added while columns with inscriptions were placed between the pillars. Alterations and additions were made during the Roman period. Outside the temple was built a magnificent altar on a stepped base while in the west of the temple was built a small theatre.
In the middle Byzantine period in the vicinity of the temple, which had been abandoned, were built houses and aqueducts.
Many finds have been made in the temple among which the colossal statue of Apollo Pythios and many inscriptions with administrative and law content of the Archaic and Hellenistic period. Dates: 7th c BC; Hellenistic; 2nd c AD.

This unique monument has been excavated in the last thirty years. It is located on the road between the Saint Titos Church and the village Mitropolis. It is the largest early Byzantine basilica in Crete and among the largest in whole Greece. In early Byzantine period it was the cathedral of the city. The first five-aisled basilica was erected here in the early 6th c., in the years of the Emperor Justinian and stood for about 70 years. The central aisle had a mosaic pavement decorated in geometric patterns and animals. It is believed that there were mosaics of stone and glass tesserae on the walls, too. The other aisle had pavements of limestone slabs. The columns were made of white and gray white marble. Of great importance is the pulpit, which resembles that of Saint Sophia in Constantinople. It was a high exedra on low columns and two stairs for ascent and decent. The choirs stood under the exedra. After the destruction of the first basilica in 620 AD, a new basilica was built over its ruins in the time of the Emperor Heraclios. This basilica, following the fortune of the whole city, was destroyed after the strong earthquake of 670 AD.

The Praetorium was the seat and residence of the proconsul of Crete. It is divided into two parts: the administrative section, in which the central building is the basilica, and the more "private" sector. The preserved ruins are dated to the 2nd century A.D. and seem to have been repaired in the 4th century A.D.
This totally excavated building is the largest in the whole City of Gortyn. The earliest constructions have suffered successive alterations in a long period of eight centuries. New structures were erected on the ruins of the earlier sometimes incorporating parts of them. In the 1st c AD the Praetorium consisted of a peristyle court 1000 sq.m. and large halls to the north and west. This first Praetorium was destroyed by an earthquake in the time of the Emperor Trajan (early 2nd c AD). It was reconstructed and a large Thermai complex was built at its east side. Some years later a large temple dedicated to the Augusts was built further at the east part. To the west of the Thermai the juridical basilica continued to function under a judge’s responsibility according to the inscriptions found there, and statues of the emperors and other officers were still standing there. All these famous buildings were destroyed by the large earthquake in 365 AD. In 383 the consul Oecumenius Asclepiodotus Dositheus, agreeing with the capital of the empire, took care of the construction of the new Praetorium.

The Great Nymphaeum (Nymphaion GR: Νυμφαίον), located to the north of Praetorium, was a marble construction with a covered cistern and fountains. Statues of Nymphs stood in the niches. The area of the remains is closed to the public but visitors can see it from a distance.

It lies at the south eastern part of the city and it is considered to be largest of all theaters in Gortyna. Although it is not yet excavated, it is believed that it had a two storeyed stage and its cavea was supported by 56 arches. The statue of the seated philosopher that we see next to the exhibition hall of the archaeological site was found here.

The TEI, located on the beautiful island of Crete, was founded in 1983 in order to provide Higher Technical Education to the students of Greece. Since then it has expanded and developed considerably, and now comprises the Schools of
Applied Technology (also in Chania and Rethimno)
Health & Welfare Services
Management & Economics (also in Agio Nikolao and Ierapetra) and
Agricultural Technology
assisted by he Departments of General Sciences, Foreign Languages and Physical Education. Students at the TEI follow courses for 4 years including lectures and practical work in laboratories. In addition, they complete a work placement and dissertation before graduating.
Education at the TEI offers up to date training in technological subjects and prepares students to develop into skilled, responsible and qualified members of society. With a permanent teaching staff of 200 and approximately 10.000 students the TEI of Heraklion is a thriving academic community with an extensive library, student halls of residence, sport facilities and a health center.
P.O. Box 1939 IRAKLIO, Crete, Greece, GR 710 04 Tel: Fax: +30 281 0379328
http://www.teicrete.gr

The Hippodrome was located in the south part of the city of Gortyn, and was surrounded by columns. The central section was 374 metres long and 60 metres wide. Our information on the site is insufficient for the reason that there was never a systematic survey, or even a small excavation. What we see today of this magnificent monument are only some parts of columns and capitals.

Capacity: 26,240 (seated)- Location: The stadium is located in Heraklion (also: Iraklio) 3 km west of the city centre (at Lido beach)... The building began 15 years ago and the 2004 Olympic Games proved to be the golden opportunity for the Pancretan, as the Athens Organising Committee named it as one of the venues of the football tournament.
It was inaugurated on 31 March 2004, when it hosted an international friendly match between the National teams of Greece and Switzerland. The stadium is currently the second largest stadium of the country.
The stadium is actually part of a sports complex. A training ground with an 8-lane athletics track, Lido Indoor Hall, and a swimming pool are located right next to the Pancretan Stadium.

Anemóspilia (GR: Aνεμόσπηλια). Anemospilia is an archeological site at the northern foot of Mount Yuchtas, in the prefecture of Heraklion in Crete. A rectangular building has been found which dates from the Minoan era and was destroyed by an earthquake in the 17th century BC.
The building with three narrow chambers, each opening into a long corridor to the north, which extends along the whole width of the building. The area is enclosed with a stone wall and the whole structure has been interpreted as a shrine; in the central room was found a "xoanon" (statue) of the deity worshiped here. In the west room, where the altar stood, was uncovered, according to the excavator, the first human sacrifice to have ever taken place in Minoan times. (although this view has been challenged).
The building at Anemospelia was used for only half a century, as it was suddenly destroyed by an earthquake in the middle of the 17th century B.C. The site was excavated in the summer of 1979 by John Sakellarakis.



Links:
Minoan Religion (Foundation of the Hellenic World)

The fortified enclosure of the Venetian Chandakas of the 15th century, which is still preserved today, is one of the most significant monuments of its kind in the whole Mediterranean basin.
Triangular in shape, with its base at the sea, the mighty enceinte has a perimeter of about 5.5 kilometres. The hallmark of the defensive layout are the bastions, linked by curtain walls decorated at many points by escutcheons and the lion of St. Mark, symbol of Venetian omnipotence. The gates in the enceinte, which served to link the town to the countryside, still stand as important architectural monuments.
To this day, the walls that withstood the Ottoman siege in the mid-17th century mark out the boundary of the old town.

The bastion heart shaped in plan with an acute angle, has two "piazza bassa" and one cavalier. It defines the southeast and the highest part of the fortification. Its name is due to Gabriele Tadini Martinego (1520) who started the construction of a circular tower at the place of the later bastion. It was one of the strongest bastions (the others were that of Pantocratora and that of Vittouri) which also suffered the main attack and most of the bombardment from the Turks.
On the top of the bastion itself there was made a cavalier (which looks like a smaller bastion), whose main purpose was the better defense and control of the area around the bastion.

The grave of Nikos Kazantzakis, the famous Cretan writer, is situated on the highest point of the Venetian fortification at the Martinego cavalier. The inscription by the wooden cross reads: " I hope for nothing. I fear nothing. I am free ", a phrase taken from "The Odyssey" which Kazantzakis considered as one of his most significant works.

The playgrounds of the Academy of the local football team "Ergotelis" are located today on the main bastion and in the ditch around the bastion are the botanical gardens of the city.

The Cathedral of St. Minas:The small church of St. Minas did not meet the religious needs of the constantly growing Christian community, so the demand arose for the erection of a new cathedral. The plot for the new church used to be a garden that belonged to a Turk from whom it was bought. The architect was Athanasios Moussis and in 1862 the foundation stone of one of the most magnificent and impressive Greek churches was laid. The outbreak of the Cretan revolution of 1866 demanded the stopping of the building work which will continue in 1883 in order to be completed in 1895, when the inauguration of the exquisite temple took place. The church is of the cruciform type with a dome based on a high spandrel, while internally there are also elements of a three aisle basilica. It has two bell towers, one in the northeastern corner and the other in the southeastern one. The right aisle is dedicated to Apostle Titos and the left one to St. Ten Martyrs of Crete. The inside of the church has gone through many changes with new additions. With plans of the architect Anastasios Orlandos the woodcut icon screen was replaced by another one made of marble, the same happened with the bishop's seat. The religious painting of the church was assigned to St. Kartakis who followed faithfully the principles and the models of the Byzantine icon painting. The hundredth anniversary from the inauguration of the Cathedral Church of St. Minas (1995) was celebrated with every solemnity that is suited in an equal occasion and more specifically to one of the most glorious and imposing Greek churches.

The «General Provisioner» Antonio Priuli made it in 1666 and it is situated today behind the "Bodosakeio" Primary School (in the area of the Venetian Dermata Gate). He decorated it with round and square columns with Corinthian type capitals, while a triangular pediment crowns the whole construction. From both sides of the columns there are niches with their metopes elaborately decorated. In the middle of the fountain there is a Turkish inscription where there is a reference to the name of the Turkish pasha who managed to bring water again in the fountain.