Its 1000 years history comes to life for the visitor, who has the chance to admire its monuments, and old houses, perfectly preserved through the centuries. In the village square , you can sit and enjoy your coffee in the traditional coffee shop, while children can play in the playground next to the school. You can also visit the church of Agios Ioannis in the same square. There are quite few rooms for rent in the village and tavernas serving traditional Cretan dishes.

Matala (GR: Μάταλα) was the ancient port of Phaistos and Gortys and a former fishing community which has developed into a modern holiday center. It is located 4 km south-west of the village of Pitsidia and 75 km from Iraklion. It is built on the coast line of the Messara bay inside a small and picturesque inlet. During the 60's the caves of Matala were hosting a hippie commune.

The Natural History Museum of Crete is housed in the renovated former premises of the Heraklion Public Power Corporation, on Dermatas’ Bay. With an area of 3,500 m2, it is the largest exhibition of its kind in the Mediterranean, showcasing the natural environment of Crete and the wider Mediterranean area in an innovative, original way.

The fortified enclosure of the Venetian Chandakas of the 15th century, which is still preserved today, is one of the most significant monuments of its kind in the whole Mediterranean basin.
Triangular in shape, with its base at the sea, the mighty enceinte has a perimeter of about 5.5 kilometres. The hallmark of the defensive layout are the bastions, linked by curtain walls decorated at many points by escutcheons and the lion of St. Mark, symbol of Venetian omnipotence. The gates in the enceinte, which served to link the town to the countryside, still stand as important architectural monuments.
To this day, the walls that withstood the Ottoman siege in the mid-17th century mark out the boundary of the old town.

The «General Provisioner» Antonio Priuli made it in 1666 and it is situated today behind the "Bodosakeio" Primary School (in the area of the Venetian Dermata Gate). He decorated it with round and square columns with Corinthian type capitals, while a triangular pediment crowns the whole construction. From both sides of the columns there are niches with their metopes elaborately decorated. In the middle of the fountain there is a Turkish inscription where there is a reference to the name of the Turkish pasha who managed to bring water again in the fountain.

Saint Titus church at Gortyn bears the name of the Apostle Titus, attendant of Apostle Paul, who was appointed as the first Christian bishop of Crete. It is one of the most important Byzantine monuments in Crete. The name was given to the ruined church by the excavators in the beginning of the 20th c., as they considered it to be the site of the saint’s martyrdom. After the discovery of the new Great Early Byzantine Basilica, just outside the village Mitropolis, its excavators have proposed that as the original bishopric basilica, as it is a century earlier than this, which in the local tradition is named and celebrated after Virgin Mary, “Kera”.
The church has the plan of a three aisled inscribed cross with a low vault. It has been built of ashlar limestone. It has a narthex to the west and five entrances three of which form the trivelum with two columns. There were pillars instead of columns. Its architectural features date its foundation in the 2nd half of the 6th c. AD.

Located in the valley of Messara, Gortys or Gortyn (GR: Γόρτυς or Γόρτυνα) is a must visit for all visitors to Crete. It was inhabited during Bronze Age times, but its rise to glory came almost a millennium after the downfall of the 'Minoans'. Gortyn was a prosperous city from around the middle of the 5th century BC through to the early 9th century AD, when it was finally destroyed by the Saracens (824AD), never to be rebuilt.

The history and culture of Crete, from the first centuries of the Christian era to our present time. An exceptional museum featuring a collection of extremely precious objects, a must see for every visitor to Crete. The museum is housed in a two storey neoclassical building, which was constructed in 1903 on the site of an earlier mansion.

It was built in the end of the 17th century. Today it is found behind the Historical Museum of the city. It is decorated with two columns with floral capitals, while in between them and inside an arched construction there is a marble plaque with relief decoration. The water was running from a specially made hole at the bottom of the plaque, into a marble basin.

Agia Ekaterini church and Exhibition of Byzantine Art and Ecclesiastical objects. A small sinaitic church of St. Catherine with a Basilica design, houses an exhibition with works of art from the Cretan renaissance. Among the exhibits are some of the most important icons of the Cretan School, ecclesiastical books and manuscripts, vestments, ecclesiastical vessels and relics, wall-paintings, wood-carvings and sculpture.

The bastion heart shaped in plan with an acute angle, has two "piazza bassa" and one cavalier. It defines the southeast and the highest part of the fortification. Its name is due to Gabriele Tadini Martinego (1520) who started the construction of a circular tower at the place of the later bastion. It was one of the strongest bastions (the others were that of Pantocratora and that of Vittouri) which also suffered the main attack and most of the bombardment from the Turks.
On the top of the bastion itself there was made a cavalier (which looks like a smaller bastion), whose main purpose was the better defense and control of the area around the bastion.

The grave of Nikos Kazantzakis, the famous Cretan writer, is situated on the highest point of the Venetian fortification at the Martinego cavalier. The inscription by the wooden cross reads: " I hope for nothing. I fear nothing. I am free ", a phrase taken from "The Odyssey" which Kazantzakis considered as one of his most significant works.

The playgrounds of the Academy of the local football team "Ergotelis" are located today on the main bastion and in the ditch around the bastion are the botanical gardens of the city.

The Cathedral of St. Minas:The small church of St. Minas did not meet the religious needs of the constantly growing Christian community, so the demand arose for the erection of a new cathedral. The plot for the new church used to be a garden that belonged to a Turk from whom it was bought. The architect was Athanasios Moussis and in 1862 the foundation stone of one of the most magnificent and impressive Greek churches was laid. The outbreak of the Cretan revolution of 1866 demanded the stopping of the building work which will continue in 1883 in order to be completed in 1895, when the inauguration of the exquisite temple took place. The church is of the cruciform type with a dome based on a high spandrel, while internally there are also elements of a three aisle basilica. It has two bell towers, one in the northeastern corner and the other in the southeastern one. The right aisle is dedicated to Apostle Titos and the left one to St. Ten Martyrs of Crete. The inside of the church has gone through many changes with new additions. With plans of the architect Anastasios Orlandos the woodcut icon screen was replaced by another one made of marble, the same happened with the bishop's seat. The religious painting of the church was assigned to St. Kartakis who followed faithfully the principles and the models of the Byzantine icon painting. The hundredth anniversary from the inauguration of the Cathedral Church of St. Minas (1995) was celebrated with every solemnity that is suited in an equal occasion and more specifically to one of the most glorious and imposing Greek churches.

It is situated approximately in the middle of the seaside wall. It was built from the first years of the venetian domination and belonged to the monastic order of Dominicans (Domenicani Predicatori). It was one of the most important and biggest Catholic monasteries of the city. The earthquake of 1508 caused a lot of damages to the temple. It consists of a long aisle which is roofed by a two slope roof and ends at a sanctuary roofed by two vaults. To the north and south wall of the temple there are windows of different types that were opened either during the Turkish period, or even earlier.

This unique monument has been excavated in the last thirty years. It is located on the road between the Saint Titos Church and the village Mitropolis. It is the largest early Byzantine basilica in Crete and among the largest in whole Greece. In early Byzantine period it was the cathedral of the city. The first five-aisled basilica was erected here in the early 6th c., in the years of the Emperor Justinian and stood for about 70 years. The central aisle had a mosaic pavement decorated in geometric patterns and animals. It is believed that there were mosaics of stone and glass tesserae on the walls, too. The other aisle had pavements of limestone slabs. The columns were made of white and gray white marble. Of great importance is the pulpit, which resembles that of Saint Sophia in Constantinople. It was a high exedra on low columns and two stairs for ascent and decent. The choirs stood under the exedra. After the destruction of the first basilica in 620 AD, a new basilica was built over its ruins in the time of the Emperor Heraclios. This basilica, following the fortune of the whole city, was destroyed after the strong earthquake of 670 AD.

The "Morosini's fountain" or "Lions' fountain" that dominates the center of Eleftherios Venizelos square in Iraklion old town, is a landmark both for locals and visitors. A masterpiece of the Venetian era that would be the pride of any city in the world.
It was made in 1628 AD, under the supervision of the General Provisioner Francesco Morosini, to satisfy Candia's (Candia was the Venetian name of Crete and its capital - Iraklion - as well) needs for water. For this purpose an aqueduct was constructed to bring the water from the sacred mountain Giouhtas.

It was made by "capitano" Gianmatteo Bembo between 1552-1554, it dominates in today's Kornarou square, next to a later Turkish philanthropic fountain. It is decorated with coats of arms and other elements of the renaissance and of gothic type, while in the middle a big headless statue stands out of the roman period. The spring is ornated with floral and embossed elements.

It was made by Giovanni Sagredo between 1602-1604, part of it has been built in the Northwest corner of today's Loggia (Town Hall) and it is decorated with a carved female statue which according to Gerola's description probably with the left hand she was holding a shield, while with the right one a kind of a big hammer for display, representing the personification of Crete.

It was built in 1776 by Hadji Ibrahim aga. In order to keep it working, he dedicated almost all his property. It is unique in its kind that is still preserved today. It is of a circular type building with a "tholos" and around the walls there are semi-circular windows with rails, in front of each one of them there exist a tap with a stone basin for the water to be collected. Today it is used as a coffeehouse.

The Basilica of Saint Mark is one of the most important Venetian buildings-monuments in Heraklion. Today it houses the city’s Municipal Art Gallery. The Venetians, wishing to consolidate their dominance over their new colony (Heraklion) and to express their gratitude and love for their mother country, built a church in the city’s centre dedicated to Saint Mark, patron saint of Venice. The Basilica managed to survive various earthquakes which afflicted Heraklion over the centuries with only minor repairs. During the Turkish rule it was converted into a mosque, the Defterdar Mosque, named after Defterdar Ahmet Pasha, the head of the financial department. The Ottomans demolished the bell-tower of the basilica and raised a minaret in its place, which in its turn was taken down by the residents of Heraklion after the liberation of the island in their attempt to erase the unpleasant reminders and symbols of the Turkish occupation.

It is an essential public building in every Venetian city, which was not absent even from the colonies. For Candia, Loggia is considered to be one of the most elegant architectural monuments of the Venetian period, a representative sample of the palladian style. During the Venetian period, Loggia was the official meeting place of sovereigns and nobility where they discussed various topics that had to do with economic matters, commercial, and political ones.