The Nikos Kazantzakis Museum is dedicated to the great Greek writer, poet and philosopher Nikos Kazantzakis. It was founded in 1983 and it is located at the village Myrtia in Iraklion, next to his father's house.
The museum contains some of his personal belongings (pipes, glasses, pens, etc.) and a rich collection of his manuscripts and letters, first Greek editions of his books, documents from theatrical productions of his works, copies of TV series and movies based on his novels, portraits of Nikos Kazantzakis, copies of press releases and articles on his life and work.

A stately village built in settlements, 22 km away from Ierapetra, at an altitudeof 225 m, next to the Ierapetra-Vianos provincial road. A green landscape,overgrown with olive trees, with an unlimited view of the Libyan Sea, to thesurrounding areas Koleitos, Kakon Oros, to the beaches Vatos and Kallikovrechtis.An almost abandoned village, with old houses built of stone, with chiseled doorframes and coats of arms bearing the Christian cross and proving its old gloryand history.Giannis Dimitromanolakis, an author from Gdohia, writes:“Gdohia sprouted right opposite the beach of the Libyan Sea. Nothing wouldhave been better for the pirates, who, like diabolical ghosts, emerged into thenight to kill and prey. The village’s history is dipped in blood, as it often sufferedfrom the raids of the pirates from the Barbary Coast. It took the name Gdohiafrom the catastrophes, from the verb “gdyno”, to skin, to set fire, to devastate.”Gdohia’s course in time has evidence of struggles, sacrifices and holocausts toshow. It was not only exposed to the pirates but it was situated on the naturalsouth passage going from the Viannos area to the Ierapetra area. This meantthat the hordes of barbarous conquerors burnt and devastated it, along withthe other Symiana villages, as they are called, in the West Ierapetra.Gdohia’s settlements are built leaving a distance between each other: KatoGdohia or Pitropiana, taking their name from the Epitropakis family livingthere, Pefkiana or Grysboliana, from the Grysbolakis family, Dimitromanolianafrom the Dimitromanolakis family, Daskaliana from the Daskalakis family,Papadiana from the Papadakis family. Great stonecutters, stoneworkers,famous for their art, Gdohia’s residents built the mansions of the whole areaand the famous bridge of Myrtos using stones from the quarries of Kolleitos.The miraculous church of Panagia (Our Lady) Evaggelistria of Gdohia, a workof art and a great ecclesiastical monument is also built by Gdohia’s residents.Gdohia village, once the seat of a Community, today a Local Department ofthe Municipality of Ierapetra, presents an exceptional sight-seeing interest. Itprovides natural landscapes, beautiful beaches, picturesque little churches onthe hills, a spacious square with palm trees, seats and a war memorial forthe fallen fighters of the liberation wars. In the 1881 census, 296 residents areregistered and 73 in 2001. Gdohia’s permanent residents, along with someforeigners’ families who have bought and renovated old houses, struggle forthe village’s development which gradually acquires the necessary infrastructures.A village with rich history and civilization, with vast olive groves, a nicemild climate, both during summer and winter, it hopes to come back to life.The old mansions, half-wrecked and burned in the German Occupation, standas if they were sculptures, a painting with the deep blue Libyan Sea serving asa background, narrate the flourishing, the glory and the history of Gdohia andwait to be inhabited again.

The ancient settlement of Vasilike is one of the first Minoan settlements with town-planning. It occupies the top and slopes of a low hill near the village Vasilike, in the vicinity of the Minoan settlement of Gournia. The first settlement dates back to the Early Minoan II period (2600-2300 B.C.) and owed its development not only to the strategic position, controlling the Isthmus of Hierapetra, but also to the neighbouring fertile plains. The central building of the settlement was destroyed by fire in around 2300 B.C.

Dia (GR: Δία & Ντία) is an uninhabited island approximately 7 nautical miles north of Heraklion. It is surrounded by small rocky inlets and its maximum length is 5kms while its maximum width 3kms. Dia is one of NATURA's protected areas due to its status as a biotope for endemic plants and for plants with low dispersal within the Southern Aegean.

A small picturesque village by the sea characterized as a landscape of exquisite, natural beauty. With joyful and peaceful inhabitants who constantly tease each other. It is located in Crete, north of Lasithi prefecture, between Agios Nikolaos and Sitia, at equal distance (30-35km) from the three major cities(Agios Nikolaos, Sitia, Ierapetra).
Ideal place for holiday or special weekends.
You will enjoy the most colourful sunset and the most beautiful daybreak from any other place. The serenity of the morning open view, with the sun rising from the sea, will be unforgettable.
The small island, opposite the village, with the small church of Agios Nikolaos, offers a unique beauty to the landscape.

Heraklion International Airport, "Nikos Kazantzakis" (Greek: Κρατικός Αερολιμένας Ηρακλείου, "Νίκος Καζαντζάκης") or Nikos Kazantzakis International Airport (IATA: HER, ICAO: LGIR) is the primary airport on the island of Crete, Greece. It is located about 5km from the main city of Heraklion.
Heraklion International Airport is is one of the biggest in Greece and receives approximately 15% of the total tourist traffic of Greece. There are many airlines currently operating flights from Athens and Thessaloniki to Iraklion (Olympic Airways, Aegean Airlines and others), while during the high season there are flights from/to Rhodes, Mykonos, Santorini and other Greek islands. There are also international airlines that connects Iraklion to other European cities. During the summer season there are numerous chartered flights to Iraklion from all over Europe (mainly Germany, the United Kingdom, Russia, and Holland). During the summer months there is a huge increase in air traffic that peaks in August (approximately 130 flights per day).
Major car-rental companies have desks at the airport. Taxi and public bus are available for transfer from/to Iraklion.

Myrtos (GR: Μύρτος) is situated 15km to the west of Ierapetra, at the estuaries of the river Sarantapihos, in a valley with olive and orange trees. It is a beautiful village built by the sea, with a beach street lined with taverns and cafe bars.
In a short distance from Myrtos on a low hill lies the archaeological site of "Pyrgos" with the ruins of a villa from the post minoan period and a little further at "Fournou Koryfi" lie the ruins of a proto minoan settlement.
Myrtos features a small archaeological museum with exhibits mostly from the area, an initiative of a local teacher.
Myrtos is a popular tourist destination, with nice small hotels, picturesque taverns and kafeneions, a lovely sandy beach and hospitable people.

The Central Court (dimensions ca. 50m x 25 m.) is an architectural element common to all Minoan palaces. The Court connects the different wings with one another. There was also direct access from outside the Palace. Part of the paving, which once covered the whole court, is preserved in the northwest and southwest corners, whilst near the "Throne Room", parts of the drainage system can be made out which ensured the evacuation of rain water.
It is thought that the area must have been for meetings and rituals of both a sacred and profane character
The orientation of the Central Court was north-south with a clear view of the sacred Mount Giouhtas, where an important sanctuary was located.

A large part of the east wing cannot be seen from the Central Court as it is built into the side of the hill on top of which lies the rest of the Palace. It is one of the most interesting parts of the palace because two storeys are preserved below the level of the Central Court. Today, a large part of it has been reconstructed in concrete.
The storeys are connected with one another by means of a system of stairs known as the "Grand Staircase". The staircase was found during the excavation in its original position. There is a total of four flights of stairs, two for each storey. The two lower flights are preserved as they were found. The steps are broad and deep, with a gentle incline that makes for an easy ascent. The staircase is lit by a large light-well and was surrounded by a colonnade of wooden columns.
The Grand Staircase
The Grand Staircase
The Grand Staircase & Hall of Colonades - First floor
The Grand Staircase & Hall of Colonades - Ground floor
A series of corridors, spacious halls and small rooms is connected to the Grand Staircase. Evans, who believed that the Palace was the seat of the king of Knossos, hypnothesized that the residential quarters of the Royal family lay in this part of the site.

This room lies at the southern part of east wing in an area with many small rooms (possibly storerooms and magazines), lustral basins and light-wells. It was made into a shrine at the end of the Postpalatial period (1375-1200 B.C.). It is known as the "Shrine of the Double Axes". On a bench at the back, different ritual objects were found amongst which were a stone double axe and votive clay idols - among them the terracotta figurine of a goddess with upraised arms. Similar small shrines have been found in houses of the same period.

This house belongs to the New Palace Period (1700-1450 B.C.) and was functionally related to the Palace. In its restored part with two columns, there was a bench on which some object of worship had probably been set up. There was a paved hall in front with a double pier - and - door partition.

The south-east house belongs to the New Palace period (1700-1450 B.C.). It was well built and decorated with wall-paintings of lillies. It had a pier-and-door partition, a pillar room and storage rooms.
A little behind it are other houses of the Old Palace period (1900-1700 B.C.) such as the house of the "Sacrificed Oxen", named after the remains of a sacrifice found there (horns of a bull and a tripod table of offerings) and the "House of the Fallen Blocks", after the blocks that had fallen from the facade of the palace due to an earthquake.
Next to "South-East House" there are houses of the Old Palace period (1900-1700 B.C.), such as that of the "Monolithic Pillars" in front of the steps. Under the small roof is a Minoan, possibly smelting kiln.

The "Hall of the Double Axes" was so named by Evans due to the double axe signs engraved on the walls of the light-well at its rear. He also thought that it was the place of residence of the King of Knossos.
The central area has openings on three sides and is therefore called a "polythyron" (system with multiple doorways). It has a slab floor and its walls were embellished with gypsum slabs and frescoes. The area between the "polythyron" and the light-well was used as a reception hall. Traces of a wooden construction were found here. Evans reconstructed a wooden throne at this spot.
Pictures: 1, 2
According to the archaeological finds, the arrangement of the apartments on the upper floor was similar to those on the ground floor.

The Queen's Megaron lies in the Royal Apartments next to the "Hall of the Double Axes". It is a smaller room with a similar layout and rich decoration. Evans thought that it must have belonged to the Queen. Fragments of frescoes with dolphins and dancing ladies were found here. The room is largely restored and copies of the wall paintings have been put up on the walls. At the end of the room, a low partition wall with one column created a small space. It was thought that it was the "Queen's Bathroom" since pieces of a clay "bath" were found there.
Pictures:
The Queen's Hall 1, 2,3
A corridor joins the "Queens Megaron" with rooms that have been interpreted as places of preparation and washing.

The magazine to the north of the Grand staircase took its name from the pithoi (large storage jars) that were found here. The jars have relief disk and rope decoration, a characteristic of the beginning of the New palace period (1700-1450 B.C.). A variety of finds show that the place had also been used as a magazine in the Old Palace period (1900-1700 B.C.).
Next door is the "Corridor of the Bays", where three small openings were used for storage. Many vases and religious artefacts were found here. The magazines were buried at the end of the New Palace period(1700-1459 B.C.).

Here is the so-called "School Room", an area where, according to Evans, scribes were taught to write on clay tablets. He supposed that they kneaded the clay in the built mortar next to the bench. It is more likely, however that it was a workshop for ceramics or wall-painting.
Behind the "School Room" is the "Lapidary's Workshop", where blocks of crude or semi-worked lapis lacedaemoniae (spartan basalt) and stone tools were brought to light.
According to Evans, the main workshop lay on the upper floor from which vases and large stone amphora had fallen to the ground floor.

Here the excavators found a number of very large storage jars (Pithoi) and Evans named the place the "Magazines of the Giant Pithoi". These magazines are one of the older parts of the palace. The pithoi stand out for their size, the number of handles and the richness of their relief decoration with ropes and discs.
To the right of the magazines a staircase which has been reconstructed by Evans descends to the east entrance of the Palace.
The entrance is a robust construction that gives the impression of a "bastion". From this point it would have been easy to reach an important building of the palatial period, the so-called "Royal Villa" which lies outside the main archaeological site.

The Royal Gaming Board was found here, a kind of board game made of ivory, rock crystal, Egyptian blue, silver and gold, now in Heraklion Museum.
To the right of the corridor are the "Royal Pottery Stores", where Kamares pottery of the Old Palace period (1900-1700 B.C.) was uncovered, and to thee left, storage and workshop areas.

An open air narrow passage linked the Central Court with the North Entrance. It was paved and had a strong inclination towards the north. Right and left were two raised colonnades known as "Bastions".
Arthur Evans reconstructed the "Bastion" on the west side. He also placed a copy of a restored relief fresco of a bull here. The wall painting may have formed part of hunting scene.
The passage ends in a large hall with ten square pillars and two columns. The pillars and columns probably supported a large hall on the upper floor. Evans suggested that, due to its position on the seaward side, it was here that the produce of seaborne trade would have been checked when it reached the Palace. It was therefore named the "Customs House".

This room, located beside the north entrance, resembles a cistern. Its floor is lower than the surrounding area and is reached by steps. The "Lustral Basin" was surrounded by columns and was lined with slabs of gypsum giving it a luxurious appearance. In its present form, the area has been completely reconstructed by Evans.
Areas with a similar arrangement have been found in other parts of the palace of Knossos, as well as other palaces and important Minoan buildings of the period (1700-1450 B.C.). It is not known how these places were used. However, from their construction it seems that theu would not have been filled with water, nor was there any drainage. Evans thought that they were used in purification ceremonies and therefore called these places "Lustral Basins". Evans also believed that the Palace was a sacred place. That is why, in his opinion, the "Lustral Basin"in question was used to purify visitors going into th Palace via neighbouring North Entrance.