This unique monument has been excavated in the last thirty years. It is located on the road between the Saint Titos Church and the village Mitropolis. It is the largest early Byzantine basilica in Crete and among the largest in whole Greece. In early Byzantine period it was the cathedral of the city. The first five-aisled basilica was erected here in the early 6th c., in the years of the Emperor Justinian and stood for about 70 years. The central aisle had a mosaic pavement decorated in geometric patterns and animals. It is believed that there were mosaics of stone and glass tesserae on the walls, too. The other aisle had pavements of limestone slabs. The columns were made of white and gray white marble. Of great importance is the pulpit, which resembles that of Saint Sophia in Constantinople. It was a high exedra on low columns and two stairs for ascent and decent. The choirs stood under the exedra. After the destruction of the first basilica in 620 AD, a new basilica was built over its ruins in the time of the Emperor Heraclios. This basilica, following the fortune of the whole city, was destroyed after the strong earthquake of 670 AD.

The Roman Odeum at Gortyn is considered one of the best and the most important of its type on Crete. Is has been founded at the North part of the Ancient Agora of the City. This semicircular building consists of three main parts:
a. The Cavea, connected with a domed corridor through three wide staircases;
b. the Orchestra, which has an internal diameter 8,5 m. and was paved with white and blue marble slabs;
c. The Scene, which had two entrances and the paraskenion, with mosaic pavement in geometric pattern. Statues of Muses stood in the niches. Initially the building was a circular Ekklesiasterion founded in the 5th c. BC. In the portico of this public building the Great Inscription with the Law Code of Gortyn dated to the early 5th c., stood. It was destroyed twice: in the 1st century BC, and again in 46 AD. After this last destruction it was reconstructed as an Odeum.
The great Inscription is considered to be the largest Greek inscription, the Queen of all Inscriptions. Its first fragments were found by the French travelers and were bought by the Louvre Museum. The most part of the Inscription was found accidentally by local farmers in 1884 and was further explored F. Halbherr.
It is a Law Code inscribed in the boustrophedon system of writing. It dates in the 1st half of the 5th c. BC and is the oldest Greek and European Law Code. It consists of twelve Deltoi and was built in the Ekklesiasterion of the 5th c BC. In this Code older laws, regarding the personal and family rights of the citizens of Gortyn, were codified.

According to the myth, Zeus, disguised as a bull, coupled with Europe, whom he had brought from Phoenicia, under a deep- shaded plane tree on the banks of the Lethaios River. The offspring of this union were three sons, Minos, Sarpidon and Radamanthis. Later, the oldest Agora of the city of Gortyn, the Ekklesisterion (Congress hall), and the Roman Odeum were founded on this site. The plane tree was blessed and has remained ever green since that time. As his place of birth, the city was founded by King Minos himelf.
According to the myth, it was on the fields of Gortyn that the bull given as a gift to Minos by Poseidon coupled with the Queen Pasiphae and out of this union Minotaur was born.

The oldest theater of Gortyna was on the south slope of the Profitis Ilias hill (Acropolis), opposite to the Odeum. Its cavea was partly cut into the rock and partly built. Its scene was built at the west side of the large court of the Agora, which covered the river Lethaios with a flat bridge. This scene, which H. Belli saw in the 16th c AD, was 120 m long and was already destroyed in 19th c. AD.
On the proscenium there was an inscription of Julia Augusta and it was decorated with statues and relies, among which there was the statue of Europe on the Bull, with broken legs and head.This statue, as described by Admiral Spratt, is now kept in the British Museum and is dated to the 2nd c BC.

The main acropolis of Gortyna was located on Agios Ioannis hill, to the northwest of the Agora. Acropolis can be accessed from its west side driving through Ambelouzos village to the direction of Gergeri. At a spot around 1.6 kms from Gortyna parking there is a footpath (not clearly signposted and maintained) that leads to the top of the hill. Once at the top you'll be rewarded by the magnificent view to the whole area and the archaeological site itself.
The site was first inhabited in the Neolithic era and again at the end of Minoan times (1200 BC). Since then it was continuously inhabited until the Middle Byzantine period. From the first settlement only parts of walls, floors and hearths were preserved. In the 10th century BC a Geometric settlement was established fortified by a polygonal wall with towers at the corners. At the end of the 7th c. A.D., a small tripartite temple, dedicated to Athena Poliouchos was founded at the south side of the hill. From this temple some very important architectural sculptures were excavated. During the Early Byzantine period (5 - 6th century AD), a basilica was erected over the ruins of the geometric/archaic temple and, in the time of the emperor Heraclios (7th century A.D.) the last fortification with a castle in the center was built which still survives but in a very poor condition.

The first habitation of the site dates from the Neolithic and Early Minoan period (3rd millenium B.C.). In the late Classical period (beginning of the 4th century B.C.) the Gortynians established the sanctuary of Asklepios at the harbour. During the tremendous earthquake of 46 B.C. the city was destroyed and subsequently rebuilt. In the Early Christian and Byzantine periods, a small settlement developed and the basilica was erected. The most important monuments of the site are:
The Temple of Asklepios., the "Treasury"., the Fountain, a large, three-aisled basilica, an Early Minoan settlement (2600-2000 B.C.), the West Stoa, the North Stoa, the Nymphaion and two large, mud-brick cisterns.

The famous Palace of king Minos and the centre of the Minoan civilisation 5km south of Iraklion. The Great Palace covered an area of 20.000 sq. meters and had 1.400 rooms. Every section of the Palace had a specific use. In the west side of the Palace were the chambers of the ceremonies, of the administration and of the public storehouse...

The Palace of Malia, which covered an area of 7,500 sq.m. , was the third- largest of the Minoan Palaces and is considered the most "provincial" from the architectural point of view. The first Palace was built in 1900 BC and destroyed in 1700 BC when a new Palace was built. Following the fate of the other palaces in Crete it was also destroyed in 1450 BC. and the present ruins are mainly those of the new palace.

Lato (Gr: Λατώ) was an ancient city of Crete, the ruins of which are located approximately 3 km from the small town of Kritsa. The Dorian city-state was built in a defensible position overlooking Mirabello Bay between two peaks, both of which became acropolises to the city. Although the city probably predates the arrival of the Dorians, the ruins date mainly from the Dorian period (fifth and fourth centuries BC). The city was destroyed ca. 200 BCE, but its port (Lato Etera or Lato pros Kamara), located near Agios Nikolaos was in use during Roman rule.
There is some suggestion that the city was named after the goddess Leto (of which Lato is the usual Doric form) and may be mentioned in Linear B tablets as RA-TO. Lato also minted coins in antiquity,[3] bearing the likeness of the goddess Eileithyia who appears to have been the one particularly worshipped at Lato.
Nearchus, admiral of Alexander the Great, was born at Lato.

The museum was founded at the end of the 19th century, during the Turkish occupation of Crete and was housed in several buildings in the past. Today it is housed in the building of the Commercial Ottoman School, which is protected by a preservation order. The collection includes findings from the broader area and from the Minoan to the Roman period. Among the items are painted sarcophagi, lamps, vases, figurines, relief plaques. One of the most important exhibits of the museum is the Clay sarcophagus dated to 1450-1400 B.C.

It was made by "capitano" Gianmatteo Bembo between 1552-1554, it dominates in today's Kornarou square, next to a later Turkish philanthropic fountain. It is decorated with coats of arms and other elements of the renaissance and of gothic type, while in the middle a big headless statue stands out of the roman period. The spring is ornated with floral and embossed elements.

It was built in 1776 by Hadji Ibrahim aga. In order to keep it working, he dedicated almost all his property. It is unique in its kind that is still preserved today. It is of a circular type building with a "tholos" and around the walls there are semi-circular windows with rails, in front of each one of them there exist a tap with a stone basin for the water to be collected. Today it is used as a coffeehouse.

The most magnificent collection of Minoan art and culture in the world, unique in beauty and completeness is housed in this museum. The exhibiton of the museum is organized in chronological order, ranging from the Neolithic period to the Roman era (4th century A.D.) and geographically, according to the provenance of the finds.

The fortified enclosure of the Venetian Chandakas of the 15th century, which is still preserved today, is one of the most significant monuments of its kind in the whole Mediterranean basin.
Triangular in shape, with its base at the sea, the mighty enceinte has a perimeter of about 5.5 kilometres. The hallmark of the defensive layout are the bastions, linked by curtain walls decorated at many points by escutcheons and the lion of St. Mark, symbol of Venetian omnipotence. The gates in the enceinte, which served to link the town to the countryside, still stand as important architectural monuments.
To this day, the walls that withstood the Ottoman siege in the mid-17th century mark out the boundary of the old town.

It is in the Ikarou Avenue, next to the Epigraphic Collection of Heraklion Museum. Within an arched construction which, is surrounded by two big square columns, decorated with rosettes, there is a relief spout of fine workmanship. The water is gathered in a marble basin adorned by a richly decorated relief.

The Cathedral of St. Minas:The small church of St. Minas did not meet the religious needs of the constantly growing Christian community, so the demand arose for the erection of a new cathedral. The plot for the new church used to be a garden that belonged to a Turk from whom it was bought. The architect was Athanasios Moussis and in 1862 the foundation stone of one of the most magnificent and impressive Greek churches was laid. The outbreak of the Cretan revolution of 1866 demanded the stopping of the building work which will continue in 1883 in order to be completed in 1895, when the inauguration of the exquisite temple took place. The church is of the cruciform type with a dome based on a high spandrel, while internally there are also elements of a three aisle basilica. It has two bell towers, one in the northeastern corner and the other in the southeastern one. The right aisle is dedicated to Apostle Titos and the left one to St. Ten Martyrs of Crete. The inside of the church has gone through many changes with new additions. With plans of the architect Anastasios Orlandos the woodcut icon screen was replaced by another one made of marble, the same happened with the bishop's seat. The religious painting of the church was assigned to St. Kartakis who followed faithfully the principles and the models of the Byzantine icon painting. The hundredth anniversary from the inauguration of the Cathedral Church of St. Minas (1995) was celebrated with every solemnity that is suited in an equal occasion and more specifically to one of the most glorious and imposing Greek churches.

The Museum of the Battle of Crete and National Resistance (1941-1945) was founded by the Municipality of Heraklion in May 1994.The museum's aim is to collect, preserve and exhibit relics from 1941-1945 in an appropriate manner, as well as to document and disseminate information on the people's struggle during the Battle of Crete and the German-Italian occupation.
In addition to presenting a range of material witnesses to the past, the museum aims to cultivate interest and respect for the history of Crete.
Contact details:
Doukos Beaufort and Merambellou Str.
Tel. (+30)2810 246 554

The "Morosini's fountain" or "Lions' fountain" that dominates the center of Eleftherios Venizelos square in Iraklion old town, is a landmark both for locals and visitors. A masterpiece of the Venetian era that would be the pride of any city in the world.
It was made in 1628 AD, under the supervision of the General Provisioner Francesco Morosini, to satisfy Candia's (Candia was the Venetian name of Crete and its capital - Iraklion - as well) needs for water. For this purpose an aqueduct was constructed to bring the water from the sacred mountain Giouhtas.

The Basilica of Saint Mark is one of the most important Venetian buildings-monuments in Heraklion. Today it houses the city’s Municipal Art Gallery. The Venetians, wishing to consolidate their dominance over their new colony (Heraklion) and to express their gratitude and love for their mother country, built a church in the city’s centre dedicated to Saint Mark, patron saint of Venice. The Basilica managed to survive various earthquakes which afflicted Heraklion over the centuries with only minor repairs. During the Turkish rule it was converted into a mosque, the Defterdar Mosque, named after Defterdar Ahmet Pasha, the head of the financial department. The Ottomans demolished the bell-tower of the basilica and raised a minaret in its place, which in its turn was taken down by the residents of Heraklion after the liberation of the island in their attempt to erase the unpleasant reminders and symbols of the Turkish occupation.

With the recovery of Crete from Nikiforos Fokas (961AD), the seat of the bishopric is transferred from Gortyna to Chandakas, which became the capital of the island. The new cathedral, which is the most established and largest in the city, is dedicated to the Apostle Titos. Here, amongst other relics, there are gathered the Holy Skull of the Apostle and the miracle working icon of Messopapaditissas.