The archaeological site, the palace, the findings - The Festos Disc. According to mythology, Phaistos (or Festos) was the seat of king Radamanthis, brother of king Minos. It was also the city that gave birth to the great wise man and soothsayer Epimenidis, one of the seven wise men of the ancient world.Excavations by archaeologists have unearthed ruins of the Neolithic times (3.000 B.C.).

The disc of Phaistos is the most important example of hieroglyphic inscription from Crete and was discovered around 1903-05 in a small room near the depositories of the "archive chamber", in the north - east apartments of the palace, together with a Linear A tablet and pottery dated to the beginning of the Neo-palatial period (1700- 1600 B.C.).
The disc of Phaistos can be seen at the Archaeological Museum of Heraklion.

The monastery of Panagia Kaliviani is located at the 59th km on the road Iraklion-Phaistos. The monastery was built during the second Byzantine period. The small Byzantine chapel was painted with frescoes but most of them are today destroyed. The chapel was deserted until, during the Turkish occupation in 1873, an old small icon of the Annunciation of the Holy Mother was miraculously found there.and the monastery became a place of worship.

The exhibited objects in the Museum come from all over Crete. These objects show that the folk culture of Crete is characterized by an amalgam of influences in which Minoan (2000-1000 BC), Archaic (1000-500 BC) and Byzantine models prevail, especially in agriculture, stock breeding, pottery and basketry.

The "Royal Villa" at Ayia Triada which is situated very close to Phaistos, was built in about 1550 BC. i.e. just before the new palace at Phaistos, and was destroyed by fire in l450 BC, like all other important Minoan centres. It succeeded the first palace at Phaistos as the economic and administrative centre of the regions depriving the new palace there of this role, and appears to have had connections with Knossos. The two wings, with an open-air space between them, consisted of groups of interconnecting rooms (polythyra), storerooms and stairways. On the site of the ruins, a Mycenaean megaron, the so-called "Agora" and an open - air shrine were subsequently built.
In the villa's disaster layer from the fire in 1450 BC, excavation revealed a valuable group of exceptional works of art, precious materials, records in Minoan script and seals. The famous black serpentine vessels, the "Harvesters' Vase", the "Boxers' Vase" and the "Chieftain ‘ s Cup", the wall paintings depicting the natural landscape, the sarcophagus, the bronze and clay figurines of worshipers and the copper ingots from the Treasury are among the most noteworthy findings.

Gallia is one of the oldest villages of the area. It is mentioned as a location in the Venetian records as early as 1577, and as a village with 120 residents since 1583. The renaissance tower in the village (still imposing although rundown) and the water fountains in the Kapeloniana area are proof of the passing of the Venetians. Part of the village, called Monohoro, is mentioned as early as 800 A.D.

One of the most beautiful sandy beaches of Crete, extends from a clump of rocks riveted in the shallow waters in the south to the Kalamaki settlement in the North. In Minoan times there used to be the ancient port of Phaistos. The antiquities lie just a few meters away from the sea.

Matala (GR: Μάταλα) was the ancient port of Phaistos and Gortys and a former fishing community which has developed into a modern holiday center. It is located 4 km south-west of the village of Pitsidia and 75 km from Iraklion. It is built on the coast line of the Messara bay inside a small and picturesque inlet. During the 60's the caves of Matala were hosting a hippie commune.

The monastery of Odigitria is a monastery of great importance and historical value and one of the oldest in Crete. It is located at the west edge of the Asterousia mountains at an altitude of 250 m.
The monastery was surrounded by walls, part of them still stands. The temple of the monastery is dedicated to the assumption of Holly-Mother and to the Saint Apostles (Peter & Paul). Inside the temple there are valuable frescoes, icons of famous painters and iconostasis.
The monastery is connected with the legendary freedom fighter 'Ksopateras' (1788 - 1828)
In the area of the monastery at Agioi Eftihianoi was found an ancient (Early Minoan) cemetery.

Close historical bonds link this monastery to that of Vrontisiou. The Varsamonerou Monastery lies in the surrounding fields of the village Voriza, 54.5 kms from Heraklion. The monastery is abandoned and, though its cells have been destroyed, its church has some of the most remarkable wall paintings in Crete.

This is one of Crete's most famous monasteries. It played an important role during the years of the Cretan Renaissance, both in the letters and the arts, and, during the last centuries of Venetian rule, it was known for its many scholars, artists and venerable monks.

The main acropolis of Gortyna was located on Agios Ioannis hill, to the northwest of the Agora. Acropolis can be accessed from its west side driving through Ambelouzos village to the direction of Gergeri. At a spot around 1.6 kms from Gortyna parking there is a footpath (not clearly signposted and maintained) that leads to the top of the hill. Once at the top you'll be rewarded by the magnificent view to the whole area and the archaeological site itself.
The site was first inhabited in the Neolithic era and again at the end of Minoan times (1200 BC). Since then it was continuously inhabited until the Middle Byzantine period. From the first settlement only parts of walls, floors and hearths were preserved. In the 10th century BC a Geometric settlement was established fortified by a polygonal wall with towers at the corners. At the end of the 7th c. A.D., a small tripartite temple, dedicated to Athena Poliouchos was founded at the south side of the hill. From this temple some very important architectural sculptures were excavated. During the Early Byzantine period (5 - 6th century AD), a basilica was erected over the ruins of the geometric/archaic temple and, in the time of the emperor Heraclios (7th century A.D.) the last fortification with a castle in the center was built which still survives but in a very poor condition.

The oldest theater of Gortyna was on the south slope of the Profitis Ilias hill (Acropolis), opposite to the Odeum. Its cavea was partly cut into the rock and partly built. Its scene was built at the west side of the large court of the Agora, which covered the river Lethaios with a flat bridge. This scene, which H. Belli saw in the 16th c AD, was 120 m long and was already destroyed in 19th c. AD.
On the proscenium there was an inscription of Julia Augusta and it was decorated with statues and relies, among which there was the statue of Europe on the Bull, with broken legs and head.This statue, as described by Admiral Spratt, is now kept in the British Museum and is dated to the 2nd c BC.

This unique monument has been excavated in the last thirty years. It is located on the road between the Saint Titos Church and the village Mitropolis. It is the largest early Byzantine basilica in Crete and among the largest in whole Greece. In early Byzantine period it was the cathedral of the city. The first five-aisled basilica was erected here in the early 6th c., in the years of the Emperor Justinian and stood for about 70 years. The central aisle had a mosaic pavement decorated in geometric patterns and animals. It is believed that there were mosaics of stone and glass tesserae on the walls, too. The other aisle had pavements of limestone slabs. The columns were made of white and gray white marble. Of great importance is the pulpit, which resembles that of Saint Sophia in Constantinople. It was a high exedra on low columns and two stairs for ascent and decent. The choirs stood under the exedra. After the destruction of the first basilica in 620 AD, a new basilica was built over its ruins in the time of the Emperor Heraclios. This basilica, following the fortune of the whole city, was destroyed after the strong earthquake of 670 AD.

The Roman Odeum at Gortyn is considered one of the best and the most important of its type on Crete. Is has been founded at the North part of the Ancient Agora of the City. This semicircular building consists of three main parts:
a. The Cavea, connected with a domed corridor through three wide staircases;
b. the Orchestra, which has an internal diameter 8,5 m. and was paved with white and blue marble slabs;
c. The Scene, which had two entrances and the paraskenion, with mosaic pavement in geometric pattern. Statues of Muses stood in the niches. Initially the building was a circular Ekklesiasterion founded in the 5th c. BC. In the portico of this public building the Great Inscription with the Law Code of Gortyn dated to the early 5th c., stood. It was destroyed twice: in the 1st century BC, and again in 46 AD. After this last destruction it was reconstructed as an Odeum.
The great Inscription is considered to be the largest Greek inscription, the Queen of all Inscriptions. Its first fragments were found by the French travelers and were bought by the Louvre Museum. The most part of the Inscription was found accidentally by local farmers in 1884 and was further explored F. Halbherr.
It is a Law Code inscribed in the boustrophedon system of writing. It dates in the 1st half of the 5th c. BC and is the oldest Greek and European Law Code. It consists of twelve Deltoi and was built in the Ekklesiasterion of the 5th c BC. In this Code older laws, regarding the personal and family rights of the citizens of Gortyn, were codified.

Saint Titus church at Gortyn bears the name of the Apostle Titus, attendant of Apostle Paul, who was appointed as the first Christian bishop of Crete. It is one of the most important Byzantine monuments in Crete. The name was given to the ruined church by the excavators in the beginning of the 20th c., as they considered it to be the site of the saint’s martyrdom. After the discovery of the new Great Early Byzantine Basilica, just outside the village Mitropolis, its excavators have proposed that as the original bishopric basilica, as it is a century earlier than this, which in the local tradition is named and celebrated after Virgin Mary, “Kera”.
The church has the plan of a three aisled inscribed cross with a low vault. It has been built of ashlar limestone. It has a narthex to the west and five entrances three of which form the trivelum with two columns. There were pillars instead of columns. Its architectural features date its foundation in the 2nd half of the 6th c. AD.

Located in the valley of Messara, Gortys or Gortyn (GR: Γόρτυς or Γόρτυνα) is a must visit for all visitors to Crete. It was inhabited during Bronze Age times, but its rise to glory came almost a millennium after the downfall of the 'Minoans'. Gortyn was a prosperous city from around the middle of the 5th century BC through to the early 9th century AD, when it was finally destroyed by the Saracens (824AD), never to be rebuilt.

The Temple of Apollo Pythios (Pythian Apollo) located in the center of the ancient Agora, was excavated in 1887 and was the largest temple and the religious center of ancient Gortyn until the introduction of Christianity and the founding of the basilica of St. Titus around 500 AD.
The first building of the seventh century. BC was a four-sided enclosure with four wooden pillars in the center to support the roof. The exterior walls and stairs of the crepis were covered with archaic inscriptions. In the Hellenistic period a monumental anteroom was added while columns with inscriptions were placed between the pillars. Alterations and additions were made during the Roman period. Outside the temple was built a magnificent altar on a stepped base while in the west of the temple was built a small theatre.
In the middle Byzantine period in the vicinity of the temple, which had been abandoned, were built houses and aqueducts.
Many finds have been made in the temple among which the colossal statue of Apollo Pythios and many inscriptions with administrative and law content of the Archaic and Hellenistic period. Dates: 7th c BC; Hellenistic; 2nd c AD.

The sanctuary of the Egyptian deities (1st-2nd centuries A.D.) is the only one, in the whole island, which is dedicated to the Egyptian gods Isis, Serapis and Anubis - Hermes although it is known that those gods are worshiped in other cities.
The sanctuary consists of quadrilateral nave, arcade on the west, underground crypt in the south and a cistern outside east of nave. In the central alcove stood the statue of Serapis and the side statues of Isis and Hermes - Anubis. In the southern part of the temple was oblong space, underground crypt purification and a small cictern. The final construction phase of the temple dates to the 1st / 2nd century. AD, in accordance with dedicatory inscription.

The Praetorium was the seat and residence of the proconsul of Crete. It is divided into two parts: the administrative section, in which the central building is the basilica, and the more "private" sector. The preserved ruins are dated to the 2nd century A.D. and seem to have been repaired in the 4th century A.D.
This totally excavated building is the largest in the whole City of Gortyn. The earliest constructions have suffered successive alterations in a long period of eight centuries. New structures were erected on the ruins of the earlier sometimes incorporating parts of them. In the 1st c AD the Praetorium consisted of a peristyle court 1000 sq.m. and large halls to the north and west. This first Praetorium was destroyed by an earthquake in the time of the Emperor Trajan (early 2nd c AD). It was reconstructed and a large Thermai complex was built at its east side. Some years later a large temple dedicated to the Augusts was built further at the east part. To the west of the Thermai the juridical basilica continued to function under a judge’s responsibility according to the inscriptions found there, and statues of the emperors and other officers were still standing there. All these famous buildings were destroyed by the large earthquake in 365 AD. In 383 the consul Oecumenius Asclepiodotus Dositheus, agreeing with the capital of the empire, took care of the construction of the new Praetorium.