The museum is located at a place called "Archontiko", around 1000m west from Fodele village and is housed in the house where according to tradition the great painter Doménikos Theotokópoulos (El Greco), was born. The exhibits are mainly photo - reproductions of his paintings and other documents related to the painter's life and work.
The house was severely damaged by the passage of time. The restoration began in 1982 with a grant from the Ministry of Culture and the considerable help of the then Minister Melina Mercouri, in collaboration with the community of Fodele. It was reconstructed according to its original design.

It is in the Ikarou Avenue, next to the Epigraphic Collection of Heraklion Museum. Within an arched construction which, is surrounded by two big square columns, decorated with rosettes, there is a relief spout of fine workmanship. The water is gathered in a marble basin adorned by a richly decorated relief.

Saint Titus church at Gortyn bears the name of the Apostle Titus, attendant of Apostle Paul, who was appointed as the first Christian bishop of Crete. It is one of the most important Byzantine monuments in Crete. The name was given to the ruined church by the excavators in the beginning of the 20th c., as they considered it to be the site of the saint’s martyrdom. After the discovery of the new Great Early Byzantine Basilica, just outside the village Mitropolis, its excavators have proposed that as the original bishopric basilica, as it is a century earlier than this, which in the local tradition is named and celebrated after Virgin Mary, “Kera”.
The church has the plan of a three aisled inscribed cross with a low vault. It has been built of ashlar limestone. It has a narthex to the west and five entrances three of which form the trivelum with two columns. There were pillars instead of columns. Its architectural features date its foundation in the 2nd half of the 6th c. AD.

The Temple of Apollo Pythios (Pythian Apollo) located in the center of the ancient Agora, was excavated in 1887 and was the largest temple and the religious center of ancient Gortyn until the introduction of Christianity and the founding of the basilica of St. Titus around 500 AD.
The first building of the seventh century. BC was a four-sided enclosure with four wooden pillars in the center to support the roof. The exterior walls and stairs of the crepis were covered with archaic inscriptions. In the Hellenistic period a monumental anteroom was added while columns with inscriptions were placed between the pillars. Alterations and additions were made during the Roman period. Outside the temple was built a magnificent altar on a stepped base while in the west of the temple was built a small theatre.
In the middle Byzantine period in the vicinity of the temple, which had been abandoned, were built houses and aqueducts.
Many finds have been made in the temple among which the colossal statue of Apollo Pythios and many inscriptions with administrative and law content of the Archaic and Hellenistic period. Dates: 7th c BC; Hellenistic; 2nd c AD.

The Praetorium was the seat and residence of the proconsul of Crete. It is divided into two parts: the administrative section, in which the central building is the basilica, and the more "private" sector. The preserved ruins are dated to the 2nd century A.D. and seem to have been repaired in the 4th century A.D.
This totally excavated building is the largest in the whole City of Gortyn. The earliest constructions have suffered successive alterations in a long period of eight centuries. New structures were erected on the ruins of the earlier sometimes incorporating parts of them. In the 1st c AD the Praetorium consisted of a peristyle court 1000 sq.m. and large halls to the north and west. This first Praetorium was destroyed by an earthquake in the time of the Emperor Trajan (early 2nd c AD). It was reconstructed and a large Thermai complex was built at its east side. Some years later a large temple dedicated to the Augusts was built further at the east part. To the west of the Thermai the juridical basilica continued to function under a judge’s responsibility according to the inscriptions found there, and statues of the emperors and other officers were still standing there. All these famous buildings were destroyed by the large earthquake in 365 AD. In 383 the consul Oecumenius Asclepiodotus Dositheus, agreeing with the capital of the empire, took care of the construction of the new Praetorium.

The sanctuary of the Egyptian deities (1st-2nd centuries A.D.) is the only one, in the whole island, which is dedicated to the Egyptian gods Isis, Serapis and Anubis - Hermes although it is known that those gods are worshiped in other cities.
The sanctuary consists of quadrilateral nave, arcade on the west, underground crypt in the south and a cistern outside east of nave. In the central alcove stood the statue of Serapis and the side statues of Isis and Hermes - Anubis. In the southern part of the temple was oblong space, underground crypt purification and a small cictern. The final construction phase of the temple dates to the 1st / 2nd century. AD, in accordance with dedicatory inscription.

It lies at the south eastern part of the city and it is considered to be largest of all theaters in Gortyna. Although it is not yet excavated, it is believed that it had a two storeyed stage and its cavea was supported by 56 arches. The statue of the seated philosopher that we see next to the exhibition hall of the archaeological site was found here.

Spili (GR:Σπήλι) is 30 km away from Rethymnon, along the road that goes from Rethymnon to Armenoi and then Spili. The town has about 800 inhabitants and it lies at a height of 430 m above sea level, at the foothills of Mount Vorizi, which belongs to the Kedros chain.
The landmark of the town is the square at Kefalovrissi with the 25 fountains each one in the shape of a lion's head. The square is named after Thanassis Skordalos (1920-1998), a popular lyra player and composer born in Spili.
Spili is a modern town, with all the facilities and services required by the locals and by the large number of visitors.

It was made by Giovanni Sagredo between 1602-1604, part of it has been built in the Northwest corner of today's Loggia (Town Hall) and it is decorated with a carved female statue which according to Gerola's description probably with the left hand she was holding a shield, while with the right one a kind of a big hammer for display, representing the personification of Crete.

The square of Mikrasiaton (GR: Πλατεία Μικρασιατών) formerly the 1st primary school square, in Rethymnon town, covers an area of 7,500 square meters, right at the heart of the city's historical center. It is surrounded by valuable monuments and beautiful buildings, mainly used as cultural centers.
There, visitors have the opportunity to rest in a peaceful environment and at the same time visit the various monuments and cultural centers located in the area.

The Guora Gate (Porta Guora or Grand Gate)) is the main entrance of the Venetian city walls that protected the city of Rethymno. The gate was built in the years of Rector Rettore Jocopo Guoro (1566-1568). Part of the gate is preserved at the beginning of the street "Ethnikis Antistaseos". It is 2,60 m. wide, built with carved stones with skew acnes, creating a semicircular arc on the top.
According to traveler J. Gerola, the initial shape of the gate was formed by stepped cornice and pediment where a relief the lion of St. Marcos (the Venetian emblem) existed. Today the relief is preserved in two pieces and is stored at Loggia's courtyard.
Old drawings of Guora Gate: inside the walls - outside the walls

The Museum of Submarine Life is situated at Arapatzoglou street, at the center of Rethymno's old city. It was founded by the "Moshaki" family, in memory of their lost child, who drowned in the sea. The largest part of the exhibits are made up of shells, while a few vertebrates, sponges and fish are also on display.

This unique monument has been excavated in the last thirty years. It is located on the road between the Saint Titos Church and the village Mitropolis. It is the largest early Byzantine basilica in Crete and among the largest in whole Greece. In early Byzantine period it was the cathedral of the city. The first five-aisled basilica was erected here in the early 6th c., in the years of the Emperor Justinian and stood for about 70 years. The central aisle had a mosaic pavement decorated in geometric patterns and animals. It is believed that there were mosaics of stone and glass tesserae on the walls, too. The other aisle had pavements of limestone slabs. The columns were made of white and gray white marble. Of great importance is the pulpit, which resembles that of Saint Sophia in Constantinople. It was a high exedra on low columns and two stairs for ascent and decent. The choirs stood under the exedra. After the destruction of the first basilica in 620 AD, a new basilica was built over its ruins in the time of the Emperor Heraclios. This basilica, following the fortune of the whole city, was destroyed after the strong earthquake of 670 AD.

The Hippodrome was located in the south part of the city of Gortyn, and was surrounded by columns. The central section was 374 metres long and 60 metres wide. Our information on the site is insufficient for the reason that there was never a systematic survey, or even a small excavation. What we see today of this magnificent monument are only some parts of columns and capitals.

The villages Spili, Agia Galini, Akoumia, Ardaktos, Drimiskos, Karines, Kentrohori, Kerames, Kissos, Krya Vrissi, Lampini, Melampes, Mournes, Mixorouma, Orne, Saktouria
The beaches of Agios Pavlos, Triopetra, Drimiskiano Ammoudi

Koufonisi is a small island in the Libyan Sea just off the South East coast of Crete and the Cape of Goudouras.
It is also named LEFKI and gave its name to the municipality.
There is a cluster of small islets in the area like Makroulo, Strogylo, Trahila and Marmara. The island is deserted and in many spots it is covered with sand reminding an African landscape.
Until 1976 the shepherds used to feed their sheep there but it was not inhabited.
Later the Archaeological Offices of Eastern Crete under the authority of N. Papadakis began the excavations and the island proved to be full of ancient sites.
A beautiful theater, made of stones, at the North West end of the island opposite the Marmaras islet was discovered. At the South East of the theater where a settlement was found, a villa with 8 rooms and a guest room was brought to light.
The excavations also showed a workshop where the famous purple robes of the Romans was made. They also dig out an astonishing building, the Public Baths, dated back to 1st and 4th A.D. and ruins of an old temple.
Boats depart daily from Makrygialos to Koufonissi (during the tourist season and only if the weather permits) offering day-trips.

A short description of Lefki, by the archaeologist Nikos Papadakis:
Koufonisi island covered today with sand and bushes, lies close to the southeast shore of Crete. From the Middle - Ages until today is nowhere referred that the island has ever been inhabited permanently. However scattered ancient remnants, drew the attention of the English admiral and traveller T B. Spratt in the mid - 19th century. His itinerary and visit was repeated by the English archaeologists Bosanquet and Curely in 1903 and by the American A. Leonard jr in 1970. The definite conclusion all the above travellers reached was that Koufonisi could be identified with the island Lefki of antiquity for which the people of Itanos and Hierapytna were contending as it is referred in the famous "Inscription of Magnetes" of 112 - 111 B.C.
Excavations and archaeological research have since 1976 taken the responsibility to answer to the questions almost innate and consequent to the above conclusion and the result is undoubtedly impressive: An entire theater that could have housed a thousand spectators: a temple still containing fragments from the colossal cult statue: two private houses with 17 rooms decorated with mosaics and colourful walls: a system supplying water to the city through a series of vaulted cisterns and built pipes: a Minoan acropolis: cemeteries and last but not least the city of Lefki itself. Thus, slowly but steadily is unveiled the short but impressive presence of this small island nearby east Crete. Judging from the so far finds we can say that Lefki being one of the major centers of processing and trading purple, a symbol of authority and economic power soon became the object of rivalry among its neighbours. A series of diplomatic intrigue and fighting had occurred over the dominance of this prolific island. Later when its sources of prosperity were depleted the people of Lefki were exterminated through arms and fire: an invasion in the 4th century A.D. turned the historic island into ashes. On the basis of the existing ruins the importance it had for its neighbours and the fact that it was never again inhabited after its destruction we may describe Koufonisi by quoting a western journalist as Delos of the Libyan Sea.

The Municipality of Nikiforos Fokas is located in the north of Rethymnon Prefecture. The area is known for its outstanding natural beauty and its historical tradition and architecture. All of the municipality's settlements are steeped in history and contain fine examples of architecture, featuring stone buildings with vaulted entrances (known as "diavatika") and magnificent thresholds.
The municipality's jurisdiction extends over the fourteen former community wards of Agios Konstantinos, Ano Valsamonero, Atsipopoulo, Gerani, Gonia (Athanatos), Zouridi, Kalonyktis, Kato Valsamonero, Malaki, Mountros, Prines, Roustika, Saitoures and Frantzeskiana Metochia, which comprise a total of 21 villages.

Monastiraki lies in the valley of Amari, on the natural route leading from northern Crete to the Messara plain. Excavations have brought to light a centre of the Old Palace period (1950-1700 B.C.). which was destroyed by fire following an earthquake. The large number of storerooms and the existence of two archive rooms with many clay sealings indicate a palatial character for the site. Other finds on the top of a neighbouring hill suggest there must have been a religious centre in the area, as well.

At a time that living organisms are disappearing at an alarming rate, especially through habitat destruction, the Park for the Preservation of Flora and Fauna of the Technical University of Crete, which extends to 30 hectares, constitutes a small but important area where native plants and co-existing animals are protected and can develop without human intervention.
Up to now 250 different plant species that grow naturally in habitats of the Park have been identified, while their systematic documentation is still in progress.
The development of new ecological units (“habitats”) began in areas of the Park that have been cultivated in the past. These will include plant species of Crete that do not grow naturally in the Park. Two such units, the wetland and the coastal habitats have already been launched.
www.park.tuc.gr/

Eileithyia was a goddess that protected childbirth and this cave was the most important place of her worship. According to tradition she was born by Hera inside this cave, which is also mentioned by Homer in the Odyssey (t 188). The finds proove that it was continuously used from Neolithic until late Roman times, with more intensive occupation noted for the Neolithic, Minoan, and late Roman periods. Evidence for cult practice in the Early Christian times (5th century A.D.) also exists.
Restricted investigation was carried out in 1885 by Joseph Chatzidakis. The site was systematically excavated by Spyridon Marinatos in 1929-1938. The most important monuments are:
The cave of Eileithyia. It is 64.5 m. long, entered from the east. Inside there was a rectangular anteroom and a rectangular peribolos surrounding cylindrical stalagmites (altar or cella).
Courtyard with the altars. The courtyard is exactly outside the cave and was probably used for ceremonial activities. Buildings of the 14th-13th centuries B.C. were discovered here and interpreted as priests' houses by their excavator.

Source: The Hellenic Ministry of Culture