Agios Georgios" the General Hospital of Hania. Situated in the outskirts of the city of Chania, near Mournies village. It was established in 2000 and has a capacity of 450 beds. Its fundamental aim is the provision of high quality health services to all citizens, within a friendly and humane environment.

The "Morosini's fountain" or "Lions' fountain" that dominates the center of Eleftherios Venizelos square in Iraklion old town, is a landmark both for locals and visitors. A masterpiece of the Venetian era that would be the pride of any city in the world.
It was made in 1628 AD, under the supervision of the General Provisioner Francesco Morosini, to satisfy Candia's (Candia was the Venetian name of Crete and its capital - Iraklion - as well) needs for water. For this purpose an aqueduct was constructed to bring the water from the sacred mountain Giouhtas.

Behind the "N.Kazantzakis open theatre", in the low square of the Gate of Jesus, was made after the proposal of Manos Hatzidakis and the design of Dionysis Fotopoulos, the Small Open Theatre, that recently named after the famous composer. It is constructed in a way so that is not caused damage in the Venetian Walls, that have been characterized as preservable monuments. In the "Manos Hatzidakis open theatre" (400 - 450 seats), as in "N.Kazantzakis open theatre" a lot of important events took place during the Heraklion Summer Festival.

The bastion heart shaped in plan with an acute angle, has two "piazza bassa" and one cavalier. It defines the southeast and the highest part of the fortification. Its name is due to Gabriele Tadini Martinego (1520) who started the construction of a circular tower at the place of the later bastion. It was one of the strongest bastions (the others were that of Pantocratora and that of Vittouri) which also suffered the main attack and most of the bombardment from the Turks.
On the top of the bastion itself there was made a cavalier (which looks like a smaller bastion), whose main purpose was the better defense and control of the area around the bastion.

The grave of Nikos Kazantzakis, the famous Cretan writer, is situated on the highest point of the Venetian fortification at the Martinego cavalier. The inscription by the wooden cross reads: " I hope for nothing. I fear nothing. I am free ", a phrase taken from "The Odyssey" which Kazantzakis considered as one of his most significant works.

The playgrounds of the Academy of the local football team "Ergotelis" are located today on the main bastion and in the ditch around the bastion are the botanical gardens of the city.

With the recovery of Crete from Nikiforos Fokas (961AD), the seat of the bishopric is transferred from Gortyna to Chandakas, which became the capital of the island. The new cathedral, which is the most established and largest in the city, is dedicated to the Apostle Titos. Here, amongst other relics, there are gathered the Holy Skull of the Apostle and the miracle working icon of Messopapaditissas.

The Cathedral of St. Minas:The small church of St. Minas did not meet the religious needs of the constantly growing Christian community, so the demand arose for the erection of a new cathedral. The plot for the new church used to be a garden that belonged to a Turk from whom it was bought. The architect was Athanasios Moussis and in 1862 the foundation stone of one of the most magnificent and impressive Greek churches was laid. The outbreak of the Cretan revolution of 1866 demanded the stopping of the building work which will continue in 1883 in order to be completed in 1895, when the inauguration of the exquisite temple took place. The church is of the cruciform type with a dome based on a high spandrel, while internally there are also elements of a three aisle basilica. It has two bell towers, one in the northeastern corner and the other in the southeastern one. The right aisle is dedicated to Apostle Titos and the left one to St. Ten Martyrs of Crete. The inside of the church has gone through many changes with new additions. With plans of the architect Anastasios Orlandos the woodcut icon screen was replaced by another one made of marble, the same happened with the bishop's seat. The religious painting of the church was assigned to St. Kartakis who followed faithfully the principles and the models of the Byzantine icon painting. The hundredth anniversary from the inauguration of the Cathedral Church of St. Minas (1995) was celebrated with every solemnity that is suited in an equal occasion and more specifically to one of the most glorious and imposing Greek churches.

Vatalos is the long beach to the west of the main beach of Frangokastello. It is a stretch of fine sand interrupted by pebbles and rocks that create small coves. There are no umbrellas and sun beds available for rent and the only shadow can be found under the little tamarisks. It is by far less crowded than the main beach. It is frequented mostly by the guests of the hotels that stand above the beach as it is peaceful, and, quite safe for the kids.

Kyra Eleoússa (GR: Κυρά Ελεούσα) Monastery is located close to the village Voroú or Voritsi. Due to its historical value the monastery and the outside area which covers 1000m has acquired protected status. Kyra Eleoussa is built according to feudal architectural style, and despite some interventions over the years it maintains many original architectural features. It is first referred in a document dating from 1606. At first it belonged to the monastery of Agia Ekaterini of Sinai but later it became part of Agarathos monastery.

The monastery of Agaráthou (GR: Μονή Αγκαράθου), dedicated to the Virgin, stands at an altitude of 538m, on "Soros Panteli", a rocky hill between the villages of Sgourokefali and Sabas, 23 km from Heraklion.
During the period of Venetian rule it was a centre of learning, producing many famous churchmen including the Patriarchs Cyril Lucaris, Meletius Pegas and Sylvester the Cretan.
The church was rebuilt in 1894 and flourished once more after the end of the Turkish occupation. Young, educated monks with university degrees have recently settled in the monastery, restoring it to its former glory.

It was made by "capitano" Gianmatteo Bembo between 1552-1554, it dominates in today's Kornarou square, next to a later Turkish philanthropic fountain. It is decorated with coats of arms and other elements of the renaissance and of gothic type, while in the middle a big headless statue stands out of the roman period. The spring is ornated with floral and embossed elements.

The village of Tourloti (GR: Τουρλωτή) is located in Eastern Crete, on the road from Agios Nikolaos to Sitia. Tourloti is 42 km from Agios Nikolaos and 27 Km from Sitia. Tourloti is a small, traditional village, the largest of a group of four, dotted across the hillsides in this area. It has changed little in the past few decades, and remains untouched by tourism.
However, it retains a healthy vibrant Greek community, of families living and working in the local area. The village has a prominent church, primary school, two small mini-markets, a bakery, chemist, post office, two kafenions and one small traditional taverna. The narrow streets with white washed houses, flower filled alleyways, and glimpses of spectacular views, give the village a unique, timeless sense of tranquility, far removed from modern city life. It is the centre for several religious celebrations and festivals, especially over Easter and the summer months.

It was made by Giovanni Sagredo between 1602-1604, part of it has been built in the Northwest corner of today's Loggia (Town Hall) and it is decorated with a carved female statue which according to Gerola's description probably with the left hand she was holding a shield, while with the right one a kind of a big hammer for display, representing the personification of Crete.

It was built in 1776 by Hadji Ibrahim aga. In order to keep it working, he dedicated almost all his property. It is unique in its kind that is still preserved today. It is of a circular type building with a "tholos" and around the walls there are semi-circular windows with rails, in front of each one of them there exist a tap with a stone basin for the water to be collected. Today it is used as a coffeehouse.

It is next to the external Gate of St. George, underneath the statue of Eleutherios Venizelos. Within an arched construction, which its top is decorated with floral elements, there is a plaque and the spout is within a relief decorated frame. The water was collected in a marble basin of a similar decoration.

It is in the Ikarou Avenue, next to the Epigraphic Collection of Heraklion Museum. Within an arched construction which, is surrounded by two big square columns, decorated with rosettes, there is a relief spout of fine workmanship. The water is gathered in a marble basin adorned by a richly decorated relief.

The picturesque hilly village of Arméni (GR: Αρμένοι) is situated at the plateau of Ziros, 27 km from Sitia through Handra and 23 km through the villages of Papagianades and Etia.
It was first recorded in a venetian census in 1583 with a population of 428. Today the village has approx. 400 inhabitants.
The sightseer is impressed by the numerous windmills in the area.
The church of Agia Sofia which used to be one of the most important churches of the Eastern Crete is also in Armeni. Amongst its icons, the Holy Mother presents interesting art features.
The Cave of Holy Spirit is also in the area of the village of Armeni. In the wider area you can also visit the Etia settlement.

Etiá (or Ethiá GR: Ετιά) is a small settlement situated 2 klm away from the village of Papagianades driving to the village of Armeni.
In a Venetian census was recorded with a population of 564. The village of Etia was at peak of its power around the Venetian occupation and from the presence of the St. John and St. Aikaterini churches one assumes that the village also existed through the Byzantine period as well.
The village used to be private property of the De Mezzo family, a venetian family, where they built their three-storeyed house, the Seragio Serai House, which used to host Turkish officers as well during the Turkish occupation and can be seen nowadays. This House is considered to be one of the most important samples of the Venetian architecture in Crete.
The church of St. Aikaterini used to be occupied by the Turks as a mosque until the Cretan revolution in 1897.
At the south of village of Etia there is the hill of Etiani Kefala at an altitude of 715 m. where it used to be a sacred place but unfortunately nowadays looted.

The Agia Triáda (Holy Trinity GR: Αγία Τριάδα)) Community is 35 km from the town of Sitia at the end of the plateau of Ziros, with a population of 156.
Long ago, the village was called Tso and today it is named after the Cathedral.
Despite of the 8 km distance from the sea, its residents are very good fishermen.
The Agia Triada Community includes the smaller communities of Dasonari, Livari, Achladi, Stalos and Amigdali.
The archaeological search gave many indications of ancient features especially in Stalos where a Minoan settlement and some vaulted tombs were brought to light.
In the area of Livari there is a Minoan cave the Alogara.

Goúdouras (GR: Γούδουρας), is a coastal settlement near the Cape of Erythraio at the Libyan Sea. It is developing to a sea resort, there are sandy beaches, taverns and lodgings and a small shelter for fishing boats. There is also a remarkable production of early vegetables in green houses.

The Basilica of Saint Mark is one of the most important Venetian buildings-monuments in Heraklion. Today it houses the city’s Municipal Art Gallery. The Venetians, wishing to consolidate their dominance over their new colony (Heraklion) and to express their gratitude and love for their mother country, built a church in the city’s centre dedicated to Saint Mark, patron saint of Venice. The Basilica managed to survive various earthquakes which afflicted Heraklion over the centuries with only minor repairs. During the Turkish rule it was converted into a mosque, the Defterdar Mosque, named after Defterdar Ahmet Pasha, the head of the financial department. The Ottomans demolished the bell-tower of the basilica and raised a minaret in its place, which in its turn was taken down by the residents of Heraklion after the liberation of the island in their attempt to erase the unpleasant reminders and symbols of the Turkish occupation.