The famous Palace of king Minos and the centre of the Minoan civilisation 5km south of Iraklion. The Great Palace covered an area of 20.000 sq. meters and had 1.400 rooms. Every section of the Palace had a specific use. In the west side of the Palace were the chambers of the ceremonies, of the administration and of the public storehouse...

Oasis is the part of the ditch of the new Venetian fortification that corresponds to the Rampant of Jesus. East of the entry of Oasis is the Cyprus square, roughly 600m from the centre of the city. For the first time, Oasis functioned as a small theatre during the 2nd world war when enough pines were cut. Then, up to 1963, a lot of assemblies took place here, mainly political. In 1963, the first serious effort of exploitation of Oasis as summer theatre, which was maintained up to 1976. In 1976 the theatre was created with the form that it has today. It became a modern open theatrical space of 1200 seats with all the necessary comforts.

Behind the "N.Kazantzakis open theatre", in the low square of the Gate of Jesus, was made after the proposal of Manos Hatzidakis and the design of Dionysis Fotopoulos, the Small Open Theatre, that recently named after the famous composer. It is constructed in a way so that is not caused damage in the Venetian Walls, that have been characterized as preservable monuments. In the "Manos Hatzidakis open theatre" (400 - 450 seats), as in "N.Kazantzakis open theatre" a lot of important events took place during the Heraklion Summer Festival.

The bastion heart shaped in plan with an acute angle, has two "piazza bassa" and one cavalier. It defines the southeast and the highest part of the fortification. Its name is due to Gabriele Tadini Martinego (1520) who started the construction of a circular tower at the place of the later bastion. It was one of the strongest bastions (the others were that of Pantocratora and that of Vittouri) which also suffered the main attack and most of the bombardment from the Turks.
On the top of the bastion itself there was made a cavalier (which looks like a smaller bastion), whose main purpose was the better defense and control of the area around the bastion.

The grave of Nikos Kazantzakis, the famous Cretan writer, is situated on the highest point of the Venetian fortification at the Martinego cavalier. The inscription by the wooden cross reads: " I hope for nothing. I fear nothing. I am free ", a phrase taken from "The Odyssey" which Kazantzakis considered as one of his most significant works.

The playgrounds of the Academy of the local football team "Ergotelis" are located today on the main bastion and in the ditch around the bastion are the botanical gardens of the city.

The most magnificent collection of Minoan art and culture in the world, unique in beauty and completeness is housed in this museum. The exhibiton of the museum is organized in chronological order, ranging from the Neolithic period to the Roman era (4th century A.D.) and geographically, according to the provenance of the finds.

Anemóspilia (GR: Aνεμόσπηλια). Anemospilia is an archeological site at the northern foot of Mount Yuchtas, in the prefecture of Heraklion in Crete. A rectangular building has been found which dates from the Minoan era and was destroyed by an earthquake in the 17th century BC.
The building with three narrow chambers, each opening into a long corridor to the north, which extends along the whole width of the building. The area is enclosed with a stone wall and the whole structure has been interpreted as a shrine; in the central room was found a "xoanon" (statue) of the deity worshiped here. In the west room, where the altar stood, was uncovered, according to the excavator, the first human sacrifice to have ever taken place in Minoan times. (although this view has been challenged).
The building at Anemospelia was used for only half a century, as it was suddenly destroyed by an earthquake in the middle of the 17th century B.C. The site was excavated in the summer of 1979 by John Sakellarakis.



Links:
Minoan Religion (Foundation of the Hellenic World)

It was made by "capitano" Gianmatteo Bembo between 1552-1554, it dominates in today's Kornarou square, next to a later Turkish philanthropic fountain. It is decorated with coats of arms and other elements of the renaissance and of gothic type, while in the middle a big headless statue stands out of the roman period. The spring is ornated with floral and embossed elements.

It was built in 1776 by Hadji Ibrahim aga. In order to keep it working, he dedicated almost all his property. It is unique in its kind that is still preserved today. It is of a circular type building with a "tholos" and around the walls there are semi-circular windows with rails, in front of each one of them there exist a tap with a stone basin for the water to be collected. Today it is used as a coffeehouse.

It is in the Ikarou Avenue, next to the Epigraphic Collection of Heraklion Museum. Within an arched construction which, is surrounded by two big square columns, decorated with rosettes, there is a relief spout of fine workmanship. The water is gathered in a marble basin adorned by a richly decorated relief.

The Museum of the Battle of Crete and National Resistance (1941-1945) was founded by the Municipality of Heraklion in May 1994.The museum's aim is to collect, preserve and exhibit relics from 1941-1945 in an appropriate manner, as well as to document and disseminate information on the people's struggle during the Battle of Crete and the German-Italian occupation.
In addition to presenting a range of material witnesses to the past, the museum aims to cultivate interest and respect for the history of Crete.
Contact details:
Doukos Beaufort and Merambellou Str.
Tel. (+30)2810 246 554

In the heart of the city center of Heraklion, opposite the church of Agios Minas, is the Museum of traditional music, instruments, research & documentation with the characteristic title 'Thirathen'.
The Museum was founded in 2012 with its headquarters in the historic village of Krousonas, in the Municipality of Malevizi. In December 2023, it opened its doors to the public, in its new space in the center of the city of Heraklion.

The fortified enclosure of the Venetian Chandakas of the 15th century, which is still preserved today, is one of the most significant monuments of its kind in the whole Mediterranean basin.
Triangular in shape, with its base at the sea, the mighty enceinte has a perimeter of about 5.5 kilometres. The hallmark of the defensive layout are the bastions, linked by curtain walls decorated at many points by escutcheons and the lion of St. Mark, symbol of Venetian omnipotence. The gates in the enceinte, which served to link the town to the countryside, still stand as important architectural monuments.
To this day, the walls that withstood the Ottoman siege in the mid-17th century mark out the boundary of the old town.

The Cathedral of St. Minas:The small church of St. Minas did not meet the religious needs of the constantly growing Christian community, so the demand arose for the erection of a new cathedral. The plot for the new church used to be a garden that belonged to a Turk from whom it was bought. The architect was Athanasios Moussis and in 1862 the foundation stone of one of the most magnificent and impressive Greek churches was laid. The outbreak of the Cretan revolution of 1866 demanded the stopping of the building work which will continue in 1883 in order to be completed in 1895, when the inauguration of the exquisite temple took place. The church is of the cruciform type with a dome based on a high spandrel, while internally there are also elements of a three aisle basilica. It has two bell towers, one in the northeastern corner and the other in the southeastern one. The right aisle is dedicated to Apostle Titos and the left one to St. Ten Martyrs of Crete. The inside of the church has gone through many changes with new additions. With plans of the architect Anastasios Orlandos the woodcut icon screen was replaced by another one made of marble, the same happened with the bishop's seat. The religious painting of the church was assigned to St. Kartakis who followed faithfully the principles and the models of the Byzantine icon painting. The hundredth anniversary from the inauguration of the Cathedral Church of St. Minas (1995) was celebrated with every solemnity that is suited in an equal occasion and more specifically to one of the most glorious and imposing Greek churches.

Agia Ekaterini church and Exhibition of Byzantine Art and Ecclesiastical objects. A small sinaitic church of St. Catherine with a Basilica design, houses an exhibition with works of art from the Cretan renaissance. Among the exhibits are some of the most important icons of the Cretan School, ecclesiastical books and manuscripts, vestments, ecclesiastical vessels and relics, wall-paintings, wood-carvings and sculpture.

The "Morosini's fountain" or "Lions' fountain" that dominates the center of Eleftherios Venizelos square in Iraklion old town, is a landmark both for locals and visitors. A masterpiece of the Venetian era that would be the pride of any city in the world.
It was made in 1628 AD, under the supervision of the General Provisioner Francesco Morosini, to satisfy Candia's (Candia was the Venetian name of Crete and its capital - Iraklion - as well) needs for water. For this purpose an aqueduct was constructed to bring the water from the sacred mountain Giouhtas.

With the recovery of Crete from Nikiforos Fokas (961AD), the seat of the bishopric is transferred from Gortyna to Chandakas, which became the capital of the island. The new cathedral, which is the most established and largest in the city, is dedicated to the Apostle Titos. Here, amongst other relics, there are gathered the Holy Skull of the Apostle and the miracle working icon of Messopapaditissas.

It was made by Giovanni Sagredo between 1602-1604, part of it has been built in the Northwest corner of today's Loggia (Town Hall) and it is decorated with a carved female statue which according to Gerola's description probably with the left hand she was holding a shield, while with the right one a kind of a big hammer for display, representing the personification of Crete.

The Basilica of Saint Mark is one of the most important Venetian buildings-monuments in Heraklion. Today it houses the city’s Municipal Art Gallery. The Venetians, wishing to consolidate their dominance over their new colony (Heraklion) and to express their gratitude and love for their mother country, built a church in the city’s centre dedicated to Saint Mark, patron saint of Venice. The Basilica managed to survive various earthquakes which afflicted Heraklion over the centuries with only minor repairs. During the Turkish rule it was converted into a mosque, the Defterdar Mosque, named after Defterdar Ahmet Pasha, the head of the financial department. The Ottomans demolished the bell-tower of the basilica and raised a minaret in its place, which in its turn was taken down by the residents of Heraklion after the liberation of the island in their attempt to erase the unpleasant reminders and symbols of the Turkish occupation.

It is an essential public building in every Venetian city, which was not absent even from the colonies. For Candia, Loggia is considered to be one of the most elegant architectural monuments of the Venetian period, a representative sample of the palladian style. During the Venetian period, Loggia was the official meeting place of sovereigns and nobility where they discussed various topics that had to do with economic matters, commercial, and political ones.

The Heraklion Catholic church is located at 2, Patros Antoniou street close to the old port of the city. It is dedicated to Saint John the Baptist and was first built in 1888. In the 1959 earthquake the church suffered serious damages and had to be demolished and rebuilt. The pastor at that time, Father George Roussos, built the present church in 1961-1962. Father Petros Roussos, who was Pastor from 1980 to 2008 refurbished also the Capuchin Monastery that stands next to the church.