The most magnificent collection of Minoan art and culture in the world, unique in beauty and completeness is housed in this museum. The exhibiton of the museum is organized in chronological order, ranging from the Neolithic period to the Roman era (4th century A.D.) and geographically, according to the provenance of the finds.

The famous Palace of king Minos and the centre of the Minoan civilisation 5km south of Iraklion. The Great Palace covered an area of 20.000 sq. meters and had 1.400 rooms. Every section of the Palace had a specific use. In the west side of the Palace were the chambers of the ceremonies, of the administration and of the public storehouse...

The archaeological site, the palace, the findings - The Festos Disc. According to mythology, Phaistos (or Festos) was the seat of king Radamanthis, brother of king Minos. It was also the city that gave birth to the great wise man and soothsayer Epimenidis, one of the seven wise men of the ancient world.Excavations by archaeologists have unearthed ruins of the Neolithic times (3.000 B.C.).

Located in the valley of Messara, Gortys or Gortyn (GR: Γόρτυς or Γόρτυνα) is a must visit for all visitors to Crete. It was inhabited during Bronze Age times, but its rise to glory came almost a millennium after the downfall of the 'Minoans'. Gortyn was a prosperous city from around the middle of the 5th century BC through to the early 9th century AD, when it was finally destroyed by the Saracens (824AD), never to be rebuilt.

The Palace of Malia, which covered an area of 7,500 sq.m. , was the third- largest of the Minoan Palaces and is considered the most "provincial" from the architectural point of view. The first Palace was built in 1900 BC and destroyed in 1700 BC when a new Palace was built. Following the fate of the other palaces in Crete it was also destroyed in 1450 BC. and the present ruins are mainly those of the new palace.

The "Royal Villa" at Ayia Triada which is situated very close to Phaistos, was built in about 1550 BC. i.e. just before the new palace at Phaistos, and was destroyed by fire in l450 BC, like all other important Minoan centres. It succeeded the first palace at Phaistos as the economic and administrative centre of the regions depriving the new palace there of this role, and appears to have had connections with Knossos. The two wings, with an open-air space between them, consisted of groups of interconnecting rooms (polythyra), storerooms and stairways. On the site of the ruins, a Mycenaean megaron, the so-called "Agora" and an open - air shrine were subsequently built.
In the villa's disaster layer from the fire in 1450 BC, excavation revealed a valuable group of exceptional works of art, precious materials, records in Minoan script and seals. The famous black serpentine vessels, the "Harvesters' Vase", the "Boxers' Vase" and the "Chieftain ‘ s Cup", the wall paintings depicting the natural landscape, the sarcophagus, the bronze and clay figurines of worshipers and the copper ingots from the Treasury are among the most noteworthy findings.

The history and culture of Crete, from the first centuries of the Christian era to our present time. An exceptional museum featuring a collection of extremely precious objects, a must see for every visitor to Crete. The museum is housed in a two storey neoclassical building, which was constructed in 1903 on the site of an earlier mansion.

Matala (GR: Μάταλα) was the ancient port of Phaistos and Gortys and a former fishing community which has developed into a modern holiday center. It is located 4 km south-west of the village of Pitsidia and 75 km from Iraklion. It is built on the coast line of the Messara bay inside a small and picturesque inlet. During the 60's the caves of Matala were hosting a hippie commune.

The exhibited objects in the Museum come from all over Crete. These objects show that the folk culture of Crete is characterized by an amalgam of influences in which Minoan (2000-1000 BC), Archaic (1000-500 BC) and Byzantine models prevail, especially in agriculture, stock breeding, pottery and basketry.

Great painter famous as "EL GRECO"(Fodele Iraklion Crete 1541 - Toledo Spain 1614) El Greco's art is the product of both his time and his genius. The artistic currents and the places he visited, are reflected in his work. It is more difficult to outline precisely the influence of the Cretan School in his work. Birth name: Doménikos Theotokópoulos (GR: Δομήνικος Θεοτοκόπουλος)
Born :1541 Crete, then Republic of Venice
Died :April 7, 1614 Toledo, Spain
Field :Painting, sculpture and architecture
Movement :Mannerism, Antinaturalism
Famous works :El Espolio (1577–1579), The Assumption of the Virgin (1577–1579), The Burial of the Count of Orgaz (1586–1588), View of Toledo (1596–1600), Opening of the Fifth Seal (1608–1614).

The TEI, located on the beautiful island of Crete, was founded in 1983 in order to provide Higher Technical Education to the students of Greece. Since then it has expanded and developed considerably, and now comprises the Schools of
Applied Technology (also in Chania and Rethimno)
Health & Welfare Services
Management & Economics (also in Agio Nikolao and Ierapetra) and
Agricultural Technology
assisted by he Departments of General Sciences, Foreign Languages and Physical Education. Students at the TEI follow courses for 4 years including lectures and practical work in laboratories. In addition, they complete a work placement and dissertation before graduating.
Education at the TEI offers up to date training in technological subjects and prepares students to develop into skilled, responsible and qualified members of society. With a permanent teaching staff of 200 and approximately 10.000 students the TEI of Heraklion is a thriving academic community with an extensive library, student halls of residence, sport facilities and a health center.
P.O. Box 1939 IRAKLIO, Crete, Greece, GR 710 04 Tel: Fax: +30 281 0379328
http://www.teicrete.gr

Agia Ekaterini church and Exhibition of Byzantine Art and Ecclesiastical objects. A small sinaitic church of St. Catherine with a Basilica design, houses an exhibition with works of art from the Cretan renaissance. Among the exhibits are some of the most important icons of the Cretan School, ecclesiastical books and manuscripts, vestments, ecclesiastical vessels and relics, wall-paintings, wood-carvings and sculpture.

A seaside fortress situated at the entrance of the old harbour. It was built by the Venetians, before the construction of the new Venetian fortification, in order to protect the pier and the port. It took its last shape in the years between 1523 - 1540 replacing another construction destroyed by an earthquake.

Greek writer, poet and philosopher. Nikos Kazantzákis (1883–1957 GR: Νίκος Καζαντζάκης), whose best-known work (in English) is the novel Zorba the Greek, was born in Heraklion, Crete (Kriti), and educated at the National and Kapodistrian University of Athens, where he received his law degree. After graduating he went to France, where he studied philosophy under Henri Bergson. Also well-known in English is his novel 'The Greek Passion', about the reenactment of a passion play in a Greek village. He is buried on the wall surrounding the city of Heraklion near the Chania Gate, because the Orthodox Church ruled out his being buried in a cemetery. His epitaph reads "I hope for nothing. I fear nothing. I am free." (Δεν ελπίζω τίποτα. Δε φοβάμαι τίποτα. Είμαι λέφτερος.)
The 50th anniversary of the death of Nikos Kazantzakis was selected as main motif for a high value euro collectors' coins; the €10 Greek Nikos Kazantzakis commemorative coin, minted in 2007.

One of the most beautiful sandy beaches of Crete, extends from a clump of rocks riveted in the shallow waters in the south to the Kalamaki settlement in the North. In Minoan times there used to be the ancient port of Phaistos. The antiquities lie just a few meters away from the sea.

The ancient city of Lyktos or Lyttos (GR: Λύκτος / Λύττος) was one of the most ancient and powerful towns in Crete.
Although the excavations in the area reveal traces of habitation from the Hellenistic years onwards (630 B.C.), the archeologists Georgios Rethemiotakis and Angeliki Lempesi have excavated traces of habitation from the time of the destruction of Lyttos by the Knossians (219 B.C.) in excavated residences of the Hellenistic period.
From the Roman period, the city was subject to new workings as testified by the architectural remnants and the many inscriptions and statues discovered.
Numerous vestiges of ancient structures, objects, and broken marbles are seen, as well as an immense arch of a Roman aqueduct, by which the water was carried across a deep valley by means of a wide marble channel. Traces of the aqueduct which brought its water supply from Kournia, near Krasi village, are still visible today in the rural road to Kastamonitsa village. Lyktos had also a theatre, built in the slope of the hill the design of which we know only from the drawings of Belli (1586).
Finally, the most important discovery is that of a room of nearly 14 metres by 11.40 metres, with marble flooring and a series of four stone platforms along its two longer sides. The room was erected, according to the inscription that was found at the site, at the beginning of the second century B.C. This room was identified as the chamber of the Roman deputies of the city and was very probably destroyed by an earthquake at 365 AD.
Lyktos appears to have still been inhabited in the 7th Century AD as indicated by the excavation of late-roman shops in the area. (Late Roman Empire, 284-610 AD)

The disc of Phaistos is the most important example of hieroglyphic inscription from Crete and was discovered around 1903-05 in a small room near the depositories of the "archive chamber", in the north - east apartments of the palace, together with a Linear A tablet and pottery dated to the beginning of the Neo-palatial period (1700- 1600 B.C.).
The disc of Phaistos can be seen at the Archaeological Museum of Heraklion.

The Minoan villa at Vathypetro was most likely the residence of a local ruler. Its architecture is comparable to that of a "Little Palace": it has a central and west court, a small tripartite shrine, a three-columned portico, storerooms and workshops. It seems that the construction of the building was never completed. Interesting elements of its architecture are the installations of a wine-press in the south wing and an oil-press in the courtyard.

The fortified enclosure of the Venetian Chandakas of the 15th century, which is still preserved today, is one of the most significant monuments of its kind in the whole Mediterranean basin.
Triangular in shape, with its base at the sea, the mighty enceinte has a perimeter of about 5.5 kilometres. The hallmark of the defensive layout are the bastions, linked by curtain walls decorated at many points by escutcheons and the lion of St. Mark, symbol of Venetian omnipotence. The gates in the enceinte, which served to link the town to the countryside, still stand as important architectural monuments.
To this day, the walls that withstood the Ottoman siege in the mid-17th century mark out the boundary of the old town.

The "Morosini's fountain" or "Lions' fountain" that dominates the center of Eleftherios Venizelos square in Iraklion old town, is a landmark both for locals and visitors. A masterpiece of the Venetian era that would be the pride of any city in the world.
It was made in 1628 AD, under the supervision of the General Provisioner Francesco Morosini, to satisfy Candia's (Candia was the Venetian name of Crete and its capital - Iraklion - as well) needs for water. For this purpose an aqueduct was constructed to bring the water from the sacred mountain Giouhtas.